<rss version="2.0">
    <channel>
        <title>Prospect Agency - client writing excerpts</title>
        <description>Prospect Agency - a literary agency - excerpts from client novels.</description>
        <language>en-us</language>
        <link>http://www.prospectagency.com/index.html</link>
        <copyright>Copyright 2007 Prospect Agency, LLC. All rights reserved.</copyright>
        <lastBuildDate>
 Tue, 1 Jul 2008 18:12:36 UTC
        </lastBuildDate>
        <image>
            <title>Prospect Agency - a literary agency : clients</title>
            <url>http://www.prospectagency.com/images/header_our_clients.gif</url>
            <link>http://www.prospectagency.com/index.html</link>
        </image>
        <item>
            <title>David Borofka - Read an excerpt from David Borofka's The Secret Life of Engineers</title>
            <description>
My father was well into his eighties and dying before he told me certain things.
My mother, he told me, had had a nervous breakdown, sometime in 1966, about the time I was due to start junior high. One day she was fine, and the next day she woke up crying and cutting the bed sheets to ribbons with a pair of kitchen shears. The crying he could ignore, my father said, but the shears... Well, you never knew what those shears might be aimed at next. Let the Freudians among you think what you will. Have a field day.
"You never knew, did you?" my father said.
"No," I said. I couldn't have been more glum. To be unaware when one's own mother heads off to the loony bin? "Where was I?"
"Camp," he said. My confusion made him happy, of that I could tell. "Three weeks in the beautiful Mojave Desert."
The brochure had promised archaeology, geology, and desert survival skills, but the reality was tube tents, a desert wind that froze us each night, and high school and college-age counselors who lectured us about Marx and Lenin and Mao, then gave us hits off their joints. They turned a blind eye when we got into their stash of Boone's Farm and Ripple. We learned slogans, "Hell, no. We won't go," being among our favorites. I came home with tonsillitis, a hangover, and a revolutionary attitude.
"I came home from Japan," my father said, "when the neighbors started to complain. She was wandering the block in her nightgown. There were the bed sheets. The shears. She had pulled the stuffing out of the mattress. Your mother dropped you off at the YMCA parking lot, and then she went crackers. She didn't like to be alone."
My mother's dislike of solitude was directly related to my father's absences. Absences that, to my mind, were not that frequent or that long in duration, but seemed to my mother to be interminable. "I didn't get married," I remember her saying, "so your father would have a ride to the airport." While my father was gone, my mother bitterly counted the hours. When I was younger, we often spent the nights at my grandparents' house; she didn't sleep well since, without him in our wood frame house, every creak and groan was evidence of burglars and rapists, murderers and thieves. "One of these days," my mother often said, "he's going to come home to the sight of our bloody, dismembered corpses, and won't he feel bad then?" Frankly, I didn't think my father, who was guilty of terminal cheerfulness, was capable of feeling bad about anything, including the deaths of his family, either real or imaginary, whereas my mother was able to feel terrible about everything, including those events confined entirely to her own imagination, a psychic space that was diminished-if only slightly-when she was no longer alone.
My father, on the other hand, never minded being by himself. On several occasions during the three years that my mother was dying, we offered him our spare bedroom, but he declined each time. "Don't think I
don't appreciate it," he told Ellen, "but the last thing you kids need is an old fart hanging around, clogging up the sofa, and stinking up the bathrooms."
Ellen and I looked at each other across the kitchen table, connected by our guilt since that was more or less the assessment we had each come to, the offer being made out of assumed obligation more than any true desire. Ellen felt that obligation more keenly, but she was also the more greatly relieved by my father's refusal. She loved my father, she insisted, but he was stubborn and insensitive and a pain in the ass, and if he were to live with us, she'd probably want to kill him about fourteen times a day.
"Don't worry about me," my father said. "I've got ten good years yet, twenty if I follow that dumb doctor's orders, and I don't intend to become a burden."
"All right, then," Ellen said. "I'm going to hold you to it. The moment you need help in the bathroom is the moment I hand you the Jonestown Kool-Aid."
My father, whose cancer would kill him in six more months, said: "And don't think I won't be grateful."
            </description>
            <link>http://www.prospectagency.com/lake.html#david-borofka-biography</link>
            <pubDate>Mon, 19 Nov 2007 14:58:59 GMT</pubDate>
            <guid>david-borofka-excerpt</guid>
        </item>
        <item>
            <title>Meagan Brothers - Read an excerpt from Meagan Brothers' Debbie Harry Sings in French</title>
            <description>
I picked up the two parts of the chain, with a strange feeling in my chest.
"Looking for something?" I knew it. I turned around. There was Brian, holding my bike up high, by the front tire. Donald stood close behind him.
"Oh, hi, Brian," I said, smooth as I could manage. "Where's the third stooge?"
"Shut up, faggot. You want this back?" I felt hot prickles beneath my skin.
"No, you can keep it." He blinked, not sure of a comeback. Finally, he hoisted it up with both hands and threw it. Maria and I both ducked. The bike flew over our heads and smashed down in the trees behind us.
"Brian!" Maria exclaimed. "Who do you think you are, the Incredible fucking Hulk?"
"If I'd known you liked hanging around with queers," Brian's chest heaved, "I never woulda wasted my time."
"But, Brian," she batted her eyes innocently. "Why do you think I hung around with you?"
"I don't know what the hell they did to you up there," he gritted his teeth at her. "But they sure didn't do you any favors."
"Why don't you and Donald go wrestle each other," she put her sunglasses back on, looking annoyed. She turned away, but Brian wasn't backing down, and for a second I thought he was going to hit her. A car horn blasted.
"Hey Brian! Come on, man, let's go!" We all looked up. It was Ben. He was driving a huge, beat-up Bronco with a rebel flag in the back window. The radio blasted Tupac. Ben kind of nodded at me. Acknowledging me, but nothing more. I squinted at him. I was glad we didn't have any dissections coming up.
"Later, faggot," Brian swaggered off towards the behemoth with Donald trotting closely behind him. The engine grunted and they took off. Maria gave them the finger, but it was futile. We went into the trees to retrieve my bike.
"Man," she sighed as we pulled it from a thorn bush. "He really messed it up." I stood the bike upright. The chain had come off, but it wasn't broken. The back tire rim was bent, though - there was no way I could go anywhere on it now.
"I don't know how I'm gonna get it home."
"Worry about that later," Maria said. "Come on. We'll take mine." I limped my bike over to the rack and tried to tie it up with the two broken chain pieces.
"Both of us? Where am I gonna ride, on the handlebars?"
"No. On the back," she led me to the farthest rack - there, chained up like an ordinary bike, was a blue Vespa motorscooter, like something out of Roman Holiday. "Cool, innit?"
"I'm downright speechless," I finally said.
"But the beat goes on. Here," she popped open a compartment under the seat and handed me a small, stylish black helmet. "Safety first." I strapped it on and climbed on behind her. She revved the engine until it hummed.
"Hold on to me tight," she commanded. "Don't worry about being fresh." I slipped my arms loosely around her waist, trying not to go too low or too high. She was warm, and smelled a little like lavender and cigarette smoke. We took off faster than I anticipated. Startled, I squeezed her, and she laughed.
"I told you to hold on!" She pulled out into traffic and we sped past the doctor's offices and fast food restaurants, past the retirement home and the hospital. Her hair whipped around my face as we buzzed along. It smelled like almonds. There was a cool smell in the air, too; the smell of the woods, of old trees.
Winter coming on, I guess.
            </description>
            <link>http://www.prospectagency.com/lake.html#meagan-brothers-biography</link>
            <pubDate>Wed, 31 Oct 2007 05:24:35 GMT</pubDate>
            <guid>meagan-brothers-excerpt</guid>
        </item>
        <item>
            <title>Meagan Brothers - Read an excerpt from Meagan Brothers' Drinking People</title>
            <description>
The TV was on in the living room. Dave Letterman was debating with Paul Schaffer over whether a rubber chicken would float or not. My mother sat on the couch beneath the amber-colored lamp, going through an old shirt box full of papers, her reading glasses on. I sat down next to her and saw that she had a near-empty bottle of Jim Beam tucked into the crook of her arm.
"Geez, mom, have a drink."
She handed me the bottle.
"This is your father's. I've only had a couple sips." I felt the burn
in my throat and handed it back to her. "I figured it would be the last -" she sighed and gazed at the bottle. "Oh, I don't know what I figured. I've been turning this house upside down for the past two days looking for a will -"
"You think he might've left you the fine china?" I snorted. My mother gave me a weary look.
"I thought he might've left some clue as to what he wanted done with his remains. But instead all I've found is a bunch of old stories he never finished and letters he never sent." She handed me a sheet of folded, yellowed hotel stationary from the shirt box. "Here, look at this."
Septembersomething, 19seventysomething, San Fransomewhere
3:25 am
Suzy, Jesus,
You wanna accuse me of something, fine, but lemme remind you whose been taking care of whose. Not to mention the kid. So you want some marlon brando loverboy to show you a goodtime, fine, kick me to the ol' curb and have fun doing it, but don't jangle me around like yr old highschool saddleshoe promdate ho-dee-ho Goodtime Dan. I'm jangleproof, baby. Shake me, I don't rattle.
But I'm not angry with you. It's early and the sun will make the bay turn pink soon and I'll think of your pink skin in the hot bath and the way your teeth leave little halfmoon tracks in my shoulder when you bite down. I want to be there with you but I don't know if you really want me there anymore. I don't know if I should be there or here or anywhere and I get scared at night that I might start tearing around like a tornado some which a way and just whip you up in it, in this frenzy in my head that I'm afraid will bust outta me one day and I can't be held accountable for what it might do. For what I might do. I'm afraid of the day you look at me and don't recognize me. I don't know why I can't sit still and be good, honey. I want to be with you and our kid in our house and even though I told you on the first day we met, no promises, I want to be that real standup guy of your dreams and I'll change change change, unzip my head to whatever psychobabbler you want, I'll join the army, I'll teach geometry, I'll stay right by your side and knit sweaters, you just say what it is you want, and I'll give it to you.
By the way, you got the wrong idea about that girl from Del Rio, honey.
I'll be here with Mack until Friday. Working up a storm because these bastards won't let me alone otherwise. On Saturday we go down to Hollywood for that Sunday morning television show, but by the time you can see me on it I'll be home to you, if you want me.
I miss you, Suzy. Goddam. Love,
Eddie
"Did I ever tell you about how we met?"
"Yeah, sure." He came into her father's bakery in Shreveport and stole her away.
"Not the bakery story. The real story."
"I'm all ears."
            </description>
            <link>http://www.prospectagency.com/lake.html#meagan-brothers-biography</link>
            <pubDate>Wed, 31 Oct 2007 05:24:35 GMT</pubDate>
            <guid>meagan-brothers-excerpt-2</guid>
        </item>
        <item>
            <title>Pamela Callow - Read an excerpt from Pamela Callow's No Man's Land</title>
            <description>
Springtime in Halifax was not known for its warmth or sunshine. Neither
was Barrett, Lyons and Goldstein.
Tess Lange allowed herself a one-minute break and gazed out her window on
BLG's associate floor. Drizzle specked the glass, obscuring the line of cars
snaking along Lower Water Street. Friday night rush hour was just beginning.
She turned back to her desk, forcing her eyes to focus on the separation
agreement spread out in front of her. The fourth this week. The thirty-seventh
since she joined BLG. She grimaced. The irony was not lost on her. She'd left
Marshall and Assoc. because Madelyn Marshall had a preponderance of family law
clients. Tess had assumed -- incorrectly -- that she'd seen the end of them
when she'd packed her boxes and left four months ago. Instead, she'd done more
separation agreements at BLG than she'd done during her eighteen month tenure
with Madelyn.
"Tess." A man's voice broke through her thoughts.
She glanced at the door in surprise. She hadn't heard anyone coming.
Her pulse jumped into her throat.
It was Randall Barrett. Himself.
She rose quickly, smoothing her skirt. "Hi, Randall." She gave him a
brilliant smile, grateful she wore the new suit she'd bought with her last pay
cheque. It had been a toss up between replacing her old articling clothes or
the old kitchen piping, but the lure of the Jackie-O style suit had been too
strong. When she heard the pipes groaning that night, she'd regretted her
extravagance, but couldn't bring herself to take the sleek cream suit back and
ask for a refund. She'd learned a long time ago that there were no returns in
life.
Now, eyeing Randall's exquisitely tailored grey suit, she was glad she'd
kept it. He, of all people, needed to see that Tess belonged in this office,
that her name had a place on BLG letterhead. Because it didn't, not yet. Not
for another two months.
And only if she cut it.
            </description>
            <link>http://www.prospectagency.com/lake.html#pamela-callow-biography</link>
            <pubDate>Mon, 3 Dec 2007 15:53:36 GMT</pubDate>
            <guid>pamela-callow-excerpt</guid>
        </item>
        <item>
            <title>Pamela Callow - Read an excerpt from Pamela Callow's Carpe Diem</title>
            <description>
"You heard what I said, Alexandra." He threw me an exasperated look. "Why do you
have to be so stubborn?"
"Why are you never willing to listen to me?"
His mouth tightened.
Good. My jab had hit home. "I have a plan that will get you -- and me --
off the hook for treason."
"Indeed." He raised an eyebrow. "Alexandra, I have racked my brain for a
solution to this difficulty and have come up dry."
"So did I. But then it just dawned on me." I didn't dare tell him I was
seething with jealousy over his book of Shakespearean sonnets when I had this
revelation.
"Oh yes, you are an expert in the field of law." His biting tone cut me to
the quick. "I had forgotten."
"You're damned right I am an expert." I jabbed my finger at him angrily.
"I have almost as many years at the Bar as you!"
His jaw worked. "So you say."
The Erato was getting closer.
"You won't even listen to my plan?"
He sighed deeply. "Pray tell me what your plan involves."
Annoyed, I mimicked his tone. "It involves you marrying me."
A look of incredulity crossed Thomas's face. "Have you gone mad? How could
that possibly be of benefit to either of us?"
I almost burst out laughing at the ridiculousness of the situation. Me
proposing to a man. Man calling me crazy. Me pleading my case: "Thomas, very
simply it will benefit both of us because as husband and wife we cannot
incriminate one another."
Comprehension dawned in Thomas's eyes.
            </description>
            <link>http://www.prospectagency.com/lake.html#pamela-callow-biography</link>
            <pubDate>Mon, 3 Dec 2007 15:54:39 GMT</pubDate>
            <guid>pamela-callow-excerpt-2</guid>
        </item>
        <item>
            <title>Thushentha Devan - Read an excerpt from Thushentha Devan's Roaming Around the Country Without Grownups</title>
            <description>
Aunt Ella cut across two lanes of traffic without indicating and pulled into the exit lane for some podunk place called Creztown. She got off the exit ramp, drove into the parking lot of a McDonald's, and shut off the engine.
Then she went, all casual like it was no big deal, "This is where I get off, girls," and she opened her door and stepped out.
And I was like, "Aunt Ella!"
But she was already halfway across the parking lot -- she didn't even grab her purse from the backseat -- and she ran into the arms of this really tall dude. He had to be at least six foot six.
"Who is that guy?" I said.
"I dunno but he probably weighs less than you, miss skinny mini," Stacey said.
"Jumpin' frogs legs, Stace! At a time like this you're thinking about how much that dude weighs? If you keep obsessing over weight, I'm gonna check you into the same rehab clinic Ashley put Mary-Kate in." Anyway, Stacey was right. The dude was a total beanpole. He actually sort of looked like a ruler because he was so flat -- it was like he'd been run over by a station wagon holding a family of elephants. Even his nose and butt were flat.
And Aunt Ella, who's even shorter than us -- she claims she's five foot one but I'd say five feet tops -- and more than a little chunky but she does wear her weight well, was there in the McDonald's parking lot hugging Beanpole as if he was her long lost one true love!
Then I looked at Stacey, still sitting in the front passenger seat, and she turned back and looked at me and we so knew we were both thinking the exact same thing -- 'What the heck?!' And it had nothing to do with any sort of special twin connection and everything to do with our wacky aunt having totally outdone herself this time. We nodded at each other, got out of the car, and walked across the almost empty parking lot, over to Aunt Ella and Beanpole.
They were still hugging away like long lost loves who had been separated by a world war or something. Stacey and I looked at each other like 'Now what?'
Then I cleared my throat and it was like a hypnotist had snapped his fingers or something. Aunt Ella spun around to face us and she smiled this goofy smile -- it was so goofy, the moment Stacey saw it, she whispered, "God, Ti, Aunt Ella looks like a little kid who just learned the word 'fart'."
Aunt Ella, oblivious to the fact that Stacey had propelled me to the verge of giggles, said, "Girls, I'd like you to meet Harry Harnum, my one true love. Harry, these are my nieces, Tiana and Stacey."
So Beanpole shook our hands with his left hand (I always thought that you
were supposed to shake hands with your right hand, but who knows). Anyway,
Aunt Ella said, "Girls, Harry is the star trapeze artist with Harnum and Hailey's Circus. I'm going to spend the next eleven days on the road with him."
Then Aunt Ella handed the Jetta key over to Stacey, smiled all proud like she'd discovered the cure for cancer or something, and continued, "And you girls get to hit the open road with each other. That's my birthday gift to you -- independence."
I went, "Um, Aunt Ella, we're really happy for you that you've found true love with Beanp- um, I mean, Harry, but how exactly are we supposed to go on our road trip without you? Neither Stacey nor I has a driver's license. Hello? We just turned fourteen."
Aunt Ella waved her hand in the air dismissively and went, "License, schmicense! A driver's license is just a piece of plastic with an ugly picture on it." She winked at Stacey and said, "I know what an excellent driver you are."
Then she blew us both a kiss and she and Beanpole rode off into the sunset together. Well, okay, they walked over to a yellow and purple RV, and Beanpole opened the door and helped Aunt Ella in.
I yelled, "Our parents will kill us. And you!"
She turned and yelled back, "They'll never know! I'll meet you back in Ryerville on your way home. They'll think I've been with you the whole time. I'll contact you through the DP to finalize the details!" Then the door closed and we watched the RV pull out of the McDonald's parking lot.
            </description>
            <link>http://www.prospectagency.com/lake.html#thushentha-devan-biography</link>
            <pubDate>Mon, 19 Nov 2007 15:00:50 GMT</pubDate>
            <guid>thushentha-devan-excerpt</guid>
        </item>
        <item>
            <title>Bonnie Edwards - Read an excerpt from Bonnie Edward's Midnight Confessions II</title>
            <description>
Once inside, Belle floated up the stairs ahead of her, dressed in a peignoir set that had once been green. Faye saw flashes of color in the folds as they fluttered behind Belle's otherwise monochrome beige. Being outside in the grey overcast light and with the faded grey wicker at her back, Faye hadn't noticed Belle's lack of color.
It wasn't like her to be beige. Something must be wrong. "Are you upset at the idea of my inviting Kim to the house?"
"No, of course not. I have a feeling Kim will be very entertaining."
"You will leave Kim alone," Faye said firmly to Belle, whose knowing smirk irritated the hell out of Faye. "She's not to be jazzed up in any way. While she's here, she'll be working, either helping get the new location ready or searching out new inventory. She's not a plaything." If they messed with Kim, Faye would lose her for sure.
Faye heard a deep sigh come from the wall beside her. She stopped and put her hands on her hips, spun toward the long-suffering sound. "I'm not joking, Lizzie. You leave her alone."
With Lizzie's penchant for practical jokes, Faye was afraid the spirits would go too far and she'd lose a great employee. Not to mention a friend.
There must be a state law against terrorizing the help. Just because she had no problem being surrounded by spirits didn't mean Kim would be okay with it.
"All right, I promise," agreed Lizzie from somewhere deep inside the wall. At least it sounded like she was inside the wall. It might have been the ceiling.
Now, all she had to do was make Annie and Felicity promise to leave Kim alone and she'd have an easier mind about Kim living here for the next few weeks.
"But the minute one of you pulls something on her, I lose my help and you'll be sorry," she threatened, loud enough for all of them to hear. What good threatening the dead did, she didn't know, but it was worth a shot.
The attic entrance was in the ceiling of a back hall corner.
Belle stood to the side while Faye tugged on an ancient rope. The stairs folded down from the ceiling with the groans and squeaks that were to be expected from hundred year old hinges. But, once the stairs got moving they opened easily enough and Faye climbed up, surprised by the sturdy feel underfoot. "What," she slanted a glance at Belle, "not coming with me?"
"I'll meet you there."
"You being afraid of heights seems a little weird. You can't exactly get hurt."
Belle blew her a raspberry.
As soon as Faye set foot on the attic floor Belle appeared seated on a trunk in the corner. Dust flew everywhere, but for all the years of neglect, it smelled clean enough. There were no obvious signs of animal or bird infestations.
No bats, either. She hated bats. They flew so erratically.
From the central staircase opening, the attic went off in every direction. From here it was clear how large the house was because the entire floor area was open. Dormer windows were evenly spaced around each wall, including the additions that were built on later. There was an octagonal area that was obviously over the conservatory.
Each dormer wall had hooks on the walls. Some even had tiny closets built in.
"What went on up here, Belle? These sort of look like cubbies or partitioned areas."
"Staff slept up here if they didn't have homes to go to. Beds were tucked in under the windows and there was a stove by the stairs for heat in the winter. It wasn't unpleasant."
She took a closer look and saw curtain rings on poles stretched across the openings to each dormer. "How large a staff did you need?"
Belle shrugged. "Four or five live ins. More in the summer to tend the garden. We had a laundress, eventually some kitchen help, but mostly the cook's son, Henry, at first."
Four or five live ins. Willa was right. She was going to need more help than she thought. Even with modern equipment like a dishwasher, vacuum cleaner, and a washer and dryer, Perdition House was too big for one person to keep up. Especially one person with a business to run.
"Did Annie work in a cathouse in Butte when she ran away from home?" She might have suggestions for efficient use of Faye's time.
"Yes, and it wasn't anything like working here. She'll tell you that!" Belle chuckled and the green in her gown returned.
"You're feeling better."
"Why, yes." She cocked an eyebrow at Faye in query.
"You were beige. First time I've ever seen you so colorless. Is something worrying you?"
"Nothing for you to be concerned about. I may have a renegade in the ranks, that's all."
"Renegade?" She laughed, finding the idea funny in a weird way. "A renegade ghost. Ooooo, scary."
Belle frowned. "Until now your experiences have been pleasant, haven't they?"
"You mean things could get nasty?" The thought of a ghost going postal suddenly scared the bejeebers out of her.
            </description>
            <link>http://www.prospectagency.com/lake.html#bonnie-edwards-biography</link>
            <pubDate>Wed, 25 Jul 2007 05:05:00 GMT</pubDate>
            <guid>bonnie-edwards-excerpt</guid>
        </item>
        <item>
            <title>Aryn Kennedy - Read an excerpt from Aryn Kennedy's To Buzz or Not to Buzz</title>
            <description>
The next morning I awoke with a powerful sense that this day would finally be prosperous. As I drove to work, the sun smiled on me from a clear sky. Well, except for that one oddly penis-shaped cloud.
The Starbucks near the mini-mall tempted me to cross the street and order a chai latte, but prosperity tea awaited me upstairs.
Samantha trotted up the stairs ahead of me. Women milled about on the landing, preparing to go into the Curves to have their chocolate sins exercised from their bodies. As I stuck my key in the lock, whispers surrounded me. I looked up. Three of the women had descended on me. "Can I help you?"
They rushed inside. I grabbed the canister of endurance tea on my way to the register. "How many weeks worth of the tea would you like?"
The women glanced at each other. A petite woman with red hair a few shades lighter than my own auburn stepped forward. She leaned forward as if she were about to reveal the secret to achieving non-stop orgasms by consuming minute amounts of luxurious dark chocolate. "We're not here for the tea."
"I can make you any kind of candle you need," I said. "What's your goal?"
The plump brunette shook her head. "We need the thing you gave Tania."
"How do you know Tania?" I asked.
"I'm her lawyer," the slim brunette said. "She told me about it."
"And she told us." The redhead turned in a circle, surveying my wares. "Where are they?"
"I don't have any."
"I told you we should have come earlier. She sold out already."
"She opened three minutes ago." The slim one set her briefcase on the counter. "Can we special order them?"
I hadn't even drunk the prosperity tea yet. Was this a sign of the day to come? "That was a special. Just for Tania. But there's a Hustler store further down Sunset. They have a good selection vibrators."
"It won't be the same." The redhead shook her head, her bun bouncing. "You charmed it. Tania said she had the best orgasm of her life. We'll pay double for the rush. Triple. Whatever it takes to get them here pronto."
The other two women nodded their agreement.
I couldn't resist all of them combined. Besides, it couldn't hurt to get a few more vibrators: for special cases related to saving my business. Just so long as this rule breaking didn't become a habit. "Leave me your numbers. I'll call you when they're ready, hopefully by tomorrow."
The redhead gripped my hand. "Thank you so much. You're saving my life."
I took their information and promised to call them as soon as possible.
At the sound of the door opening, the three women turned toward it. The temperature in the room shot up as Dave strolled inside. They looked at me with lust burning in their eyes. I waved to him.
The redhead leaned close to me. "Did your magic bring him?" she asked.
They stared at him as they skirted past. There was something about his toned frame and movie star blue eyes that made women walk into poles. True to form, one of the brunettes backed into the doorframe with an "oof."
I'd done the same thing when we met at the bookstore nine years ago. Some days I wished I hadn't called off our fling a week later when I met Jack and erroneously deemed him The One. Alas there was no use dwelling on the past. I'd been twenty-three. I'd been stupid. I'd learned my lesson.
Dave grinned at the three red-cheeked ladies. Like teenagers being noticed by the captain of the football team, they giggled as they hurried out of the store.
"What was that about?" he asked.
"Tania referred some friends."
"Great, new business. You need more of that."
"It's not exactly the kind of business I want." I crooked my finger at him to come closer and lowered my voice. "They wanted charmed sex toys."
            </description>
            <link>http://www.prospectagency.com/lake.html#aryn-kennedy-biography</link>
            <pubDate>Wed, 31 Oct 2007 05:39:58 GMT</pubDate>
            <guid>aryn-kennedy-excerpt</guid>
        </item>
        <item>
            <title>Rose Kent - Read an excerpt from Rose Kent's Kimchi and Calamari</title>
            <description>
Alone at last with Mom. I could ask what she knew about the day I was born. Seeing Yongsu and his parents got me wondering again. Plus, I still had to give Nash something to search with, since my talk with Dad was a bust.
"Can I ask you a few questions, Mom?"
She gave me a curious look. "Ask away," she said. "Do you know my birth parents' names, or where the adoption agency found me?" I folded the napkins in triangles, concentrating so I wouldn't have to look at Mom.
Mom started to say something, then paused. "I planned on sharing this with you at a special time. When you were, well, a bit older."
"Sharing what?" I asked.
"The information the adoption agency gave us. But it isn't much, Joseph."
"I really want to know whatever it is. Now," I pleaded.
She took a breath before she began. "They told us they found you in the south of Pusan, by the waterfront, in a police station parking lot. An old woman was walking back from the fish market in the afternoon when she heard crying. You were lying in a basket, wrapped in a blanket."
This sounded like the Baby Moses story. Had I floated down a river in Pusan, too?
"What was my birth mother's name?"
"They didn't give us names."
"What day did the old lady find me?"
"May seventh," Mom said, rubbing the top of my head with her fingertips.
"Well, since my birthday is May fifth, that meant my birth mother took care of me for two days. Maybe she felt torn and didn't want to give me up," I said, blurting out my thoughts.
Mom nodded. "Maybe," she said.
"Move, Frazer!" Sophie yelled from the family room. That old boxer loved to park himself in inconvenient places, like on top of the puzzle.
"What's got you thinking about all this, honey?" Mom asked.
Should I tell Mom about the essay? I wanted to, but she was practically crying already. I didn't want to make her feel she wasn't a good-enough mom. "I just met this new kid at school today, and he's Korean. That's all."
She nodded and started scooping mashed potatoes from the Styrofoam container onto the plates.
I kept imagining how it all happened in Pusan fourteen years ago. "Maybe it was a baby- snatching conspiracy and the lady who found me was in on it," I said. "She could have kidnapped me, realized she was going to get caught, and then dropped me at the police station with that story so they wouldn't suspect anything."
"I don't think so. The adoption agency told us that's just the way babies are left in Korea. Birth mothers pick spots where they know their babies will be safe and get discovered quickly."
Then Mom continued, as if trying to convince me she was right. "Unmarried Korean women can't keep their babies, Joseph. Having a child before marriage is taboo there, much worse than here. Mothers without husbands are outcasts. Sometimes they can't even find jobs or homes. I think your birth mother knew you both would have had a difficult life if she'd kept you."
"Why do Koreans make the mothers feel so bad? That's dumb," I said. "Besides, maybe my birth mother was married to my birth father and they just didn't have enough money to raise a kid. Or she could have gotten sick. Isn't that possible, too?"
            </description>
            <link>http://www.prospectagency.com/lake.html#rose-kent-biography</link>
            <pubDate>Sun, 18 Nov 2007 21:43:32 GMT</pubDate>
            <guid>rose-kent-excerpt</guid>
         </item>
         <item>
            <title>Read an excerpt from Shannon Landrum's The Dust Prophet</title>
            <description>
"Did Doctor Taylor tell you about your condition?"
"Yes." She stood unnaturally still for a child. Stock still. And she had a way of turning her head slightly while still keeping her eyes on a person. "I'm going to have a baby."
"Yes. Well, we need to talk about that, don't we?" He found himself blinking to compensate for how seldom she did. "Esta, I need to know who did this to you. I know it might be frightening to talk about. But it needs to be said out loud. The person who did this to you did a bad thing. Who's been at you, child?"
She cocked her head a few degrees but remained silent.
"Esta, we need to know the father of your child."
"It's between me and God," she said.
"Alright. We can discuss it later if you'd rather. But I'd like to talk with you about what you told Doctor Taylor. About Jenny."
"What about it?" she replied.
"No one knows better than I how it feels to want to give comfort to those who are suffering and yet be unable to. I have spent much of my adult life and all of the last two months striving to grant the tiniest measure of comfort in the face of terrible loss. But it is wrong to create falsities, even with the purest of motives -- to ease another's pain."
"I wouldn't do that," she said.
"I must assume that you were school friends with Jenny Taylor and that she told you about the dress and how she wanted to wear her hair."
"I've only ever had one friend, Reverend," Esta said, "Miss Margaret Goode."
Thomas heard the door to the office opening and conversation between Doctor Taylor and a woman.
Thomas continued, "Then you must have heard this information from Margaret Goode. Perhaps you've stored this memory without even being aware where it came from."
"I know where it came from," she said.
"Where?" Thomas heard himself say. Doctor Taylor pulled back the curtain and entered the room with Priscilla in tow. The woman was in wretched shape with large dark circles around the eyes and a frantic expression.
"The Lord showed it to me when he lifted me up," Esta said.
"What is this?" Priscilla said.
"I told you, Prissy," Doc said. "This is the girl who was found on the church. She says she saw Jenny with God in heaven."
"Doctor Taylor, I'm not sure it's wise to involve Priscilla with this," Thomas interjected. "Let me talk with the girl alone."
"My Jenny?" Priscilla said choking on sobs.
"Yes," Esta said.
"Esta, stop it this instant," Brother Thomas pleaded. "You can't toy with people this way! Tell the doctor that you made this up, or that it was just a dream!"
"Tell her about the dress and her hair," Doc Taylor said. "She was wearing the green dress you made and her hair was in plaits, Priscilla. It was our Jenny! In Heaven with God!"
"But how could you know this? How could you see into Heaven?" Priscilla pressed.
"Exactly," Brother Thomas added.
Esta had been waiting patiently to be asked. She looked at Mrs. Taylor and Doctor Taylor only as she relayed the story of what happened to her on that day.
"It was blowing hard outside. Miss Merrell was poised to hit me with the ruler for not paying attention in class when my cousin, Doris, looked out the window and yelled, 'It's a twister!' Then the roof peeled away."
Esta closed her eyes now and a slight smile turned up the corners of her mouth. "And I heard a loud voice say 'Talitha Kumi'." And then I was pulled upward and all the sounds of crashing and screaming and blowing fell silent. And I saw a shining light, bright like the sun, only gentler. It drew me into itself. That's when I saw Jenny seated at the feet of the father. Then the voice said, 'be blessed,' and touched me here," Esta said pointing to the middle of her chest.
Esta opened her eyes again. "And then I could hear the wind again and I was moving backward, but I didn't want to. And then it went dark. When I woke up, I was on the church roof."
"Praise God! Praise God!" Priscilla exclaimed. Doctor Taylor embraced his wife as she bawled unabashedly.
"It's a miracle!" he said.
"My girl! My baby! I was so worried, what with her not bein' baptized!"
Priscilla tore herself from her husband and ran to Esta pulling the child tight to her chest. "Thank you! Bless you, child."
Brother Thomas pulled Esta from the woman's grasp, "Doctor Taylor, I would ask you to kindly take your wife back upstairs. She's had a tremendous shock and needs to lie down." He shot Esta an angry glance as he ushered the two parents toward the office door.
Upon returning, he ripped the curtain back and glared angrily at her. "What are you up to, Esta Macphee, with this cockamamie story? You and I both know that nothing like that happened. You were simply lucky to be thrown clear of the awful death the other children shared and now you would mock the very God who mercifully spared your pitiful life! Surely, he will not allow you to go unpunished for this sin!"
"I thought you didn't believe in luck Pastor," Esta retorted.
"You will speak of this matter no more, young lady. You've got yourself in a delicate condition which requires your full attention. And I won't have you distracting good God-fearing people from their rightfully- earned grieving. Now let's get you home. We've got some news to share with your parents." He took her by the arm and marched her swiftly to the car.
The ride back to the Macphee farm felt far different than the ride to the doctor's office. Brother Thomas sensed that there had been a shifting of sorts -- the same feeling he often had when he presided over a wedding or a funeral. It was the uncertainty of stepping from one age, to the next. That the occasion of the telling of Esta's outlandish story, to an even greater extent than the school tragedy itself, marked a new focus in his work on earth, and a new season for the community of Harmony.
As he parked the car in the Macphee yard and shut off the ignition, Esta spoke. "Brother Thomas, remember when I came to you and asked you about my spiritual gift?"
He gripped the steering wheel and stared straight ahead trying to will the child to be shocked into silence once more. Forever more. But it didn't work.
"I think I know now what mine is."
            </description>
            <link>http://www.prospectagency.com/lake.html#shannon-landrum-biography</link>
            <pubDate>Wed, 26 Jul 2007 22:47:32 GMT</pubDate>
            <guid>shannon-landrum-excerpt</guid>
         </item>
         <item>
            <title>Read an excerpt from Elizabeth Lardaro Martinez's The Queen of Crime TV</title>
            <description>
We were on verdict watch, and the clock was ticking.
It had been almost seven hours since the jury disappeared into the deliberation room and I was beginning to wonder if they were ever coming out. The courtroom, which normally held no more than thirty people, was now packed, and it was difficult to breathe. Reporters lined the walls, their pens and cell phones poised for action. Spectators jammed themselves into the ten rows of narrow wooden benches, elbow to elbow and thigh to thigh. Cameras hovered near the front of the room, their lights at the ready. The warm air was heavy and still. Suddenly there was a loud thud from overhead and everyone looked up. Then, as if God had taken mercy on us, the air conditioner came on full blast. We drank in the cool air for a few moments, then went back to discussing, in hushed and urgent tones, our predictions, all the while keeping one eye on the clock above the judge's bench. The jury had been out for six hours, forty-one minutes and counting. At trials like these everyone was an expert with an opinion to share. Most people, I'd gathered, believed the jury would hand down a guilty verdict, but as the saying goes, it ain't over till the fat lady sings.
I had a press pass and as an associate producer should have been standing with our camera crew on the sidelines, but somehow I got a much coveted front row seat. Not only did I have a bird's eye view of the defendant's table, I could see the clock above the judge's bench perfectly. Right now it was 4:26. Court ended at 4:30 and the jury had been deliberating since this morning. If what I knew about juries was any indication, that meant they'd want to announce their verdict today so they wouldn't have to come back tomorrow (so much for idealized justice). Apparently everyone else knew this too because by 4:27 the air was so electric with anticipation you could almost hear it crackling. At 4:28 cameramen rose to assume their positions, reporters flipped to clean sheets in their notebooks and the lights seem to glow a little brighter. I brought my hand up to my forehead and realized, despite the air conditioning, that it was damp. I was glad I'd showered that morning.
The only person in the room who seemed to care less about the verdict was the bailiff, who, at exactly 4:30, set down her Detroit Sentinel, stood and slowly crossed the room. As we watched her the murmurs died down and we sucked in one collective breath. "All rise," she sang. We rose, and Judge Swanson entered through a door behind the bench, black robe flowing, already motioning with his hands for us to have a seat. This was good, as I could see better when we were seated. Like I said, I had a clear view of the defendant, Jason Allan Jerickson, aka world famous rap star and Grammy winner Jack Attack. And it wasn't just the back of his head either, it was the whole left side of his face, which was uncharacteristically clean-shaven, probably a recommendation from his publicist or his attorneys or both. I figured his lawyers had also dressed him for the occasion, because instead of his trademark white track suit, gold chains and black skull cap, he wore a charcoal gray three-piece, complete with white shirt and navy blue tie. The only thing that gave away his status as the country's hottest rapper was his hair, still shaved close to his head and bleached blonde. As I watched him whisper something to his lead lawyer it occurred to me that he epitomized the true irony of the hip-hop world: while his latest album, Attack You Back was hovering at Number One on the Billboard charts, he was standing trial here in Detroit for attempted murder. For the past two weeks the Detroit D.A.'s office had been zealously trying to prove that Jack Attack had pointed a gun in the face of a rival rapper and threatened to kill him. It was a stretch to charge Jack with attempted murder-you had to prove that he intended to kill the other rapper, and proving intent was never easy-- but as this wasn't Jack's first foray into the criminal justice system the prosecutors wanted to smack him as hard as they could, and the results could be devastating. If Jack lost this trial, he could face life in prison.
The jury took their seats except for the forewoman, a squat lady in her early forties. She stood at the helm of the jury box and unfolded a white piece of paper. I noticed that her hands were trembling and that she did not look at the defense table but kept her gaze glued to the paper. This is it, I thought, the big moment, and even though it wasn't my ass on the line, my heart started to pound.
            </description>
            <link>http://www.prospectagency.com/lake.html#elizabeth-lardaro-martinez-biography</link>
            <pubDate>Wed, 31 Oct 2007 05:41:03 GMT</pubDate>
            <guid>elizabeth-martinez-excerpt</guid>
         </item>
         <item>
            <title>Read an excerpt from Corbin Lewars' Swing Set</title>
            <description>
I have never seen so many boobs and baldheads in my life. Not to mention the noise. "Whoa, this is a nightmare. Let's get out of here," I say to my almost three-month-old son.
He doesn't seem to share my fear of noise and mayhem. He actually looks like he is going to fall asleep. I debate which would be worse, the circle of chaos or spending yet another day at home talking to a mostly incoherent baby. The chaos wins. I take a deep breath and enter the room.
So here I am, in my very first "mom's group." So far, not so good. I may have made the wrong choice. At least at home I don't have to deal with twenty other crawling, screaming babies. But that's why I am here, I suppose, to meet these other baldheads and the boobs that accompany them.
"My doctor said to start off with rice cereal. He suggested I could mix it with formula, water, or breast milk, but I noticed Quinn only eats it if I mix it with breast milk. Maybe you could try that," one of the mothers suggests to the woman next to me as she somehow attaches her baby to her belly with a twelve feet long piece of fabric. When I ask if she squirts the breast milk right into the bowl, she laughs and assumes I am kidding. I'm not.
I attempt to chat with several of the other boobs and quickly learn that we do not speak the same language. As the other moms chat about how to make organic baby food and the proper consistency of rice cereal, I say things such as, "I have been thinking a lot about prisons and torture lately. Every time my son wakes me up at night, which is frequently, I think about how sleep deprivation is used as a torturing device. I understand that now."
"Hmmm," one woman, clad in yoga pants, tennis shoes, yet full make-up and pristine hair, responds and then resumes her conversation about how to mash and freeze peas.
I followed my prison analogy with, "Do you ever feel like you want to get in your car and drive away as fast as you can? I think about that a lot at three in the morning. I also have fantasies about checking into a hotel, by myself, and staying there forever. I imagine the clean white sheets, the quiet, the way someone will clean up my room every day and never, ever wake me up in the middle of the night. God, just thinking about it gives me an orgasm." I come out of my fantasy to see five sets of fearful eyes staring at me. In fact, I am pretty sure I saw them all inch a little bit further away from where I am sitting. And then, of course, they resumed their pea discussion.
"I find if I blend them for too long they get runny and then it is very hard to spoon them into Bella's mouth without making a huge mess. But it is so worth it to make it myself. I can't ever imagine buying her baby food. Even if it's organic, you don't know how it's been processed..."
I don't want to talk about peas. I could care less about peas. No one in my house is going to eat peas and no one is ever going to mash peas by hand and then freeze them for a later date. My son is only interested in nursing and I am only interested in having a lively, honest conversation with adults.
Most of the conversations around me seem to pertain to specific mothering tasks, such as how often the baby should eat, sleep, and poop. Whenever one of these topics comes up everyone becomes animated. Everyone except me. I, perhaps falsely, assume that my son will let me know when he is tired, hungry, or uncomfortably wet. We have been following this regime so far and it seems to be working.
What I am more concerned about is the constant feeling that I am being duped. I find myself continually wondering, "Why didn't someone tell me about..." The biggest April fool is that a screaming lunatic is waking me up every two hours. And I can't kick the lunatic out or otherwise remove him from my life, as I would anyone else putting me through this much trauma, because the lunatic is completely dependent on me and my breasts.
I ask the other women if they feel restless being at home all day. "I am so bored and sick of nursing my son all day long, but when I think about going back to work, I get a stomachache. I can't imagine placing my son in a daycare center, yet being home isn't the relaxing, lovefest I imagined. I mean, some days I don't even get to take a shower or eat anything until three o'clock, because I've been holding Spencer all day and trying to get him to stop crying. Going back to work would be a breeze compared to those days. As far as I know, my boss will never ask me to stick my breast in his mouth for hours on end, nor will he scream when I attempt to go to the bathroom by myself. Maybe it will be easier when I'm back at work."
"I love being home," one woman explains with a cheerful smile. I notice she and her daughter have matching sweaters on. I didn't know people actually did that. I also didn't know babies could wear anything but pajamas. Does she change her into pajamas before she takes a nap? That seems like a lot of extra work for someone who is only awake for about a quarter of the day.
"There is so much to do every day, how can you be bored?" she continues.
"So much to do?" I wonder, "All I do is lift my shirt all day long and stare out the window."
"Well, there's laundry and cleaning up, that takes a whole day sometimes. And I go to two mom's groups, they meet all over the city you know? So, if you don't live close by or this day isn't good for you, you could always go to the Wallingford Group on Tuesdays, or the Fremont group on Mondays, or the Green Lake group..."
"I get the idea, thanks. But that's not really what I'm talking about..."
"And then all of the things you have to buy, it's so complicated. I need a baby carrier, but can't decide between the Baby Bjorn, the sling, the Baby Trekker, the ergo-carrier, the..."
"Ohhh, I love my sling. I finally found one that is really comfortable at that consignment shop on 45th," the organic baby food Nazi enthuses. "It's not a Mayan sling, I love those too, but it's made with organic cotton. I love it."
You would think the mom was sharing her dealer with us for how animated and giddy the other moms become. All of this hoopla over a piece of fabric? Does it come with a self-massager, or something that vibrates? If not, I don't see it worthy of that much celebration.
The never-ending task of cleaning could keep me busy, but hardly riveted. As I start to explain the difference between being busy and tired and bored and unfulfilled, the facilitator of the group interrupts me. She wants to talk about peas again. Damn it, I definitely made the wrong choice.
As I am drifting off about what I am going to eat for lunch today, a man walks into the room with his daughter. He takes a seat at the far side of the room and places his daughter into an exersaucer. He looks surprisingly comfortable amongst all of these boobs with bags under their eyes. More comfortable than me that's certain, and I am a boob with bags. Not only is he the only adult in the room without breasts, he is also the only person who doesn't look exhausted and isn't wearing dirty sweat pants. No baby spit up in sight on his wool sweater and pleated pants.
Not only is he dressed in clean, well-fitted clothing, his daughter is decked out in a faux leopard fur hat and little jean jacket. She's also riding the exersaucer like it is a bucking bronco and obviously having the time of her life. As she laughs and squeals, I watch him pull everything known to mankind out of his leather bag. So far I have seen baby food, diapers, wipes, a cell phone, various toys, and teething biscuits. All I have in my bag are some cracker crumbs and balled up paper towels. Note to self: paper towels are not the same as wipes. Do not ever, ever leave the house without baby wipes.
"For the remaining ten minutes of the meeting, why doesn't everyone break into small groups and discuss the topic of the day, 'When and how to introduce solid foods,'" the facilitator requests with her singsongy voice. I look to the women in my group and say, "I have a better idea, why don't we skip the food discussion and go out and eat real food. I'm starving." No one takes me up on my offer. In fact, they completely ignore me and continue their riveting discussion of how to puree baby food.
Finally, the facilitator announces the meeting is over and closes with a song about bouncy wagons. As I gather my belongings, and my still-sleeping son, I hear the words I have been dying to hear all day: "Want to get a cup of coffee?"
I look up to see the stylishly dressed man, squealing daughter, and well-equipped leather bag positioned in front of me and it is all I can do to not scream, "Yes!"
            </description>
            <link>http://www.prospectagency.com/lake.html#corbin-lewars-biography</link>
            <pubDate>Mon, 26 May 2008 21:29:33 GMT</pubDate>
            <guid>corbin-lewars-excerpt</guid>
         </item>
         <item>
            <title>Read an excerpt from Corbin Lewars' Creating a Life</title>
            <description>
"You're just using me for my sperm," Jason sulks as he crawls out of bed. I'm about to protest, but stop to think. Maybe he's right. I have been a little demanding lately. But you would think any guy would be thrilled to have their wife demand sex every day. Especially a wife they have been with for seven years. Better to demand sex with him than fall privy to the "seven-year-itch" and start having sex elsewhere.
As soon as he announced he was ready, I stripped off my clothes. All right, maybe it wasn't that drastic, but close. A few months ago he rather unceremoniously announced that he "maybe was ready to start to trying to have a kid" and it was to bed we went. Immediately.
And since then I have been pretty intense about this. Who knew unprotected sex could be so exciting? Not me. I don't think I've ever had it before now. All throughout my late teens and twenties I was on the birth control pill. I was one of those girls who went on the pill as soon as she even considered having sex. No teen pregnancy for me, no way! Then I stayed on it for years and years. In between boyfriends I would consider going off of it, but the "what if" factor always kept me on it. "What if I meet someone cool?" "What if I get drunk and get together with someone?" What I never considered was, what if I got a backbone and told the guy to put a condom on. Or what if I said "no." Those possibilities never entered my mind, so I stayed on the pill just to be on the safe side.
I never liked taking the pill, nor the effect it had on my emotions every month, so once Jason and I had been together for a few years, I went off of it. I opted for the cervical cap, mixed with spermicidal gel and the occasional condom on top, just to be sure. I was very serious about birth control.
But now I am liberated! I can throw the spermicide away! Toss the condoms in the trash can, poke as many holes as I want into my cervical cap. I'm free! It's so exciting. Almost as good as the sex we had when we first met. Even better in some ways, because I might get a baby out of it!
"I mean, you don't even care how we do it, you just want to do it. At first it was fun, but now it's just kinda freaky." Jason buttons his pants and pulls his shirt over his head without looking at me. A sure sign he's pissed.
"Well, it's just that... Well, I waited for so long for you to be ready to have a baby and now that you finally are, I'm excited. I want it to happen. In fact. I can't believe it hasn't happened already. We've really been going at it."
"It's only been a few months, maybe..."
"Three months, it's been three long months."
"OK, three months, that's still not that long you know. Maybe you just need to relax and not get so fixated on it."
"I hate it when people tell me to relax."
"I know you do, but maybe you should listen to them sometimes."
And with that, he walks downstairs to make some coffee. I don't follow him, instead I stay in bed and stare out the window.
If I freak Jason out too much, there will be no baby. And no unprotected sex. Although I hate the "relax" word, I'll try. I'll try to forget about my burning desire to procreate. I'll try to stop thinking every little stomach quiver is a baby being conceived. I'll try to stop crying every month when I get my period. I'll try to forget all of this and act like a normal person. Yeah, right. That will never work, I need another project.
Seeing as we still haven't finished or paid off our last project, the remodel, I don't dare propose any more house ideas. And I already earned a Master's degree due to my baby-wanting frenzy, and have no inclination to earn a Ph.D. What else can I do...
I guess I could throw myself into my work like every other person my age in Seattle. Ha! That's funny. They'd fall over at Fruitloop U if I ever showed my face before ten o'clock, nonetheless started working a forty hour work week. Plus, I'd rather eat dirt, or snails, or anything else slimy rather than be there more.
But for now, that is where I work, so I better get my butt there. I reluctantly get out of bed and get dressed. When I go downstairs to get a cup of coffee, I see Jason has already left. He didn't even say good bye, that's not like him.
I consider stopping by his work on my way to work, but it's late enough as it is. Our little morning rendezvous and subsequent disagreement took longer that I anticipated. Oh well, it's not as if anyone will notice.
I hide in my office for most of the day and attempt to put together a newsletter for the students. When that proves to require too much thought and energy, I focus on returning phone calls and emails. Amongst the many, "When is registration?" and "Professor Z hasn't returned my phone calls in over three weeks, is he out of town?" phone calls, there is one interesting one.
"Corbin, this is Casey, remember me? I'm an alumni from a few years back and have met you in the office a few times. Anyway, I'm embarking on a really exciting project that you may be interested in. Check your emails, I wrote you all about it."
Hmmm. At Fruitloop U, you never know what an "exciting project" could be. People have tried to rope me into everything from starting a clothing optional communal farm to building a straw-bale house in the middle of Seattle. Where it rains, a lot. But, what do I have to lose? It sure beats answering the other questions, seeing as registration happened three weeks ago. If they can't even keep track of that, I don't know how they are earning a graduate degree. And no, Professor Z is not on vacation, he is just the king of avoiding students, so good luck ever reaching him.
Casey's email begins with a description of a small newspaper called Women's Network. It states that the paper is for sale and that Casey is hoping to gather a collection of women who would like to buy it with her. I'm about to delete the email, knowing that my latest remodeling project tapped us financially, but then I pause. I don't have any money to contribute to the cause, but I could certainly offer some help. I have experience with publishing because I used to work for a small magazine. I helped with the layout and am a good proofreader, I even wrote a couple of articles. I loved the fast pace of publishing. The deadlines, the continuous cycle of newness, seeing as there is always another issue to put out. And it was so much more creative than sitting in this office all day. This could be just the project I'm looking for.
            </description>
            <link>http://www.prospectagency.com/lake.html#corbin-lewars-biography</link>
            <pubDate>Mon, 26 May 2008 21:29:33 GMT</pubDate>
            <guid>corbin-lewars-excerpt-2</guid>
         </item>
         <item>
            <title>Read an excerpt from Linda Lombardi's The Sloth's Eye</title>
            <description>
The Halloween decorations were gone from the hallways but the pumpkins were still in the exhibits, most of them now looking gnawed-on to various degrees. Which just made them even better as far as I was concerned. I was admiring my jack o'lantern with the fennec fox ears when I heard footsteps, brisk confident steps that covered the ground like the whole planet was her private domain.
"I love your Halloween pumpkins," Allison said. What was she doing here at this hour? Who knew. She could be anywhere at any time. "I adore the Halloween event. What could be better than combining trick or treating and a trip to the zoo?"
"Yeah," I nodded. I had to agree. Candy and animals, did it get any better than that?
"I thought when I came through last night that you are all doing such a nice job, but this building needs some attention. You haven't had anything new in a long time, and the collection is a lot less diverse than when I was the curator here. Maybe you could give me some advice about what we could do."
Somehow, under the magic touch of her attention, I didn't think of how strange it was for the zoo director to be asking advice from someone as lowly as me.
"A wombat," I said dreamily, almost to myself. I knew we'd never get a wombat. I'd had this conversation with Larry, our curator, dozens of times. A wombat was a lousy exhibit. It would sleep all day and take up a lot of space with nothing interesting for visitors to see. A big snoozing mound of fur that might as well be a stuffed animal. Not worth the time or effort or real estate.
But I loved wombats. I longed for a wombat the way other women longed for babies, as far as I could tell about how other women felt. I had clearly somehow imprinted on the wrong species as a newborn. I had no idea what it felt like to want a baby. But, oh, how I imagined a sweet little round wombat pup in my arms.
"A wombat!" Allison exclaimed, jolting me out of my marsupial reverie. "What a splendid idea. We don't have anything quite like that. Since we don't have an Australia building anymore, Small Mammals would be just the place."
I was startled. I looked at her dumbly for a minute, waiting for her to laugh at her joke. But she didn't.
"Um, " I said, "But... won't it sleep all day?"
"I'm sure we can figure out a way to deal with that. We can make sure its den is visible to the public. That way you'll always see something even if it's asleep. After all, that's better than an animal that's hiding all day when it's awake, isn't it?"
"Where will we put it? Where can we get one?" I surreptitiously pinched myself. Surely this was some kind of crazed zookeeper fantasy dream, where the director swoops down and gives you the animal you've always longed to work with. I was sure that in a minute I'd wake up and go into work and tell people about it, and I'd find out that everyone had had this dream, like we'd all had the dreams of our animals getting out, or those moments where we woke up in the middle of the night, positive we'd left some shift door in the wrong position.
"Details, details," Allison said. I seemed to be awfully good at dreaming that particular cadence she had, that tone that assured you that everything would always go her way. "Don't worry, that's why I have a staff. If we want a wombat we'll have a wombat. Do you know which species you want?"
I'd never thought about it. The idea had never gotten anywhere near close enough to reality for it to matter. "I don't know. Can I go and do some research?"
"Of course. Just email me when you decide. I'll come by again soon and we can talk about what renovations we need to do to house it."
I gazed off toward the pygmy marmoset exhibit in a daze. The plant wall needed watering and tons of that mossy stuff had fallen down and needed to be replaced. I decided that I wasn't dreaming after all, because in my dream Small Mammal House, the plant wall in that exhibit waters and re-mosses itself, instead of me having to crawl in there and hit my head and get soaking wet and covered in moss.
            </description>
            <link>http://www.prospectagency.com/lake.html#linda-lombardi-biography</link>
            <pubDate>Wed, 25 Jul 2007 05:05:00 GMT</pubDate>
            <guid>linda-lombardi-excerpt</guid>
         </item>
         <item>
            <title>Read an excerpt from Susan Lyons' Touch Me</title>
            <description>
"You have a right to be mad," Adonis told her. "Your mom cheated you of things a kid should have."
Ann's body stiffened. "I'm being unfair. She tried her best."
"Maybe so." Touch firm but gentle, he stroked her chest, breasts, rib cage, trying to give her the warmth her mother seemed incapable of. "Doesn't mean you don't have a right to be pissed. Children should be nourished with hugs and kisses, praise and love."
"I wish . . ." She sighed and her muscles loosened. "I was going to say, I wish I had a different mother. But that's not true, I love her. I just wish she'd been different."
"Is it too late? Could she change?"
Her eyes were squeezed shut. "I w-wish. But she's set in her ways." She sniffed. "D-damn, I never cry. Tears are a waste of time."
But they were welling from under her closed lids. "That last voice sounded like your mom's," he said gently.
She sniffed again. "It was." A tear spilled over.
"I don't agree with her." He caught the tear with his finger and brought it to his mouth. "Tears help you let pain out, where it doesn't have so much power."
She opened tear-glazed eyes. "That your mom talking?"
"Yeah." Definitely not his macho dad.
As tears tracked down her temples into her hair, he said, "Your mom may not be super affectionate, but you know she wanted you. She could have had an abortion or given you up for adoption, but she kept you. Loved you."
"I guess. But it puts so much pressure on me, being the only person she's got. Pressure to live up to her expectations."
She was still meeting his gaze and he looked deeply into her damp hazel eyes, feeling the hurt inside her. He took her by the shoulders. "Those expectations are hers; she owns them. She's the one who let rejection hurt her so badly she never lets anyone into her life. Focuses on her career, rather than risking her heart. You can be braver, you don't have be the same as her. Figure out what you want, and tell her."
"What if she says I'm wrong?" The tears were sliding freely now.
"Then tell her again." He lay down beside her and gathered her into his arms, felt the dampness of her cheek against his shoulder. For a while, he just hugged her close as she cried.
Then, when the tears eased, he said, "Tell her you love her, you respect her, but you have to find your own path. And if she loves you, she should try to understand and respect you back."
She sniffed. "Is that what you told your father?"
Crap. "Uh, maybe not quite like that. More like, I didn't want to be a tile layer so I wasn't going to do it."
"Which he'd take as rejection of everything he's worked for."
"Shit." He'd never thought of it that way, but once she'd said it, it was obvious. "I guess you're right."
"I know if I'd ever said I didn't want to be a lawyer, that's how Mother would have felt. But it was okay, she made it so fascinating, there was never anything else I wanted anyhow."
"And now?"
She eased away, wiped her cheeks with the backs of her hands, sat up. "I want friends, too. A life away from the office, maybe one day a family of my own." A little smile. "Perhaps a puppy or kitten."
He sat up too, caught and held her gaze. "Those are all good things. Normal things. She's the one with the warped life, Ann. That's sad, and you don't have to be like her."
She nodded slowly. "Adonis, what's the thing you've most wanted from your dad?"
He squeezed his eyes shut against the pain, then opened them again so she could see into his heart. "For him to say he's proud of me, like he does with my sisters."
"Me too, with Mother. Every time she compliments me, there's some damn qualification. Or, what I've done is good but she wants more from me." She sighed. "And I've been trying. Now you, you deliberately chose another path. Neither way has worked out for us."
"Nope."
"So, what's the worst case scenario?" she said thoughtfully. "They never say those magic words. But we know they love us. Right?"
"Yeah." He managed a small smile. "That's not such a bad thing to settle for."
"Some wise man once told me, conflict's inherent in the parent-child relationship."
His own words. The smile grew. "That was pretty smart. So, I should tell Dad I respect him and what he's accomplished, but his way isn't mine, and I wish he'd respect me too."
"And if he's still on your case, remember conflict's normal, and he loves you."
God, she was beautiful, even all swollen and tear-stained. Beautiful and smart and brave. And sexy. Opening up the way they'd both done was even better than sexual foreplay. He felt so close to her, and he wanted to get closer. Until they merged. Body and soul.
It was so cool she'd finally got into the gazing into each other's eyes thing. He could see the moment she read his thoughts. The green flecks in her eyes sparkled. Her lips curved. "You haven't finished my massage."
"Later." He leaned in for a kiss.
She avoided his mouth, her smile widening. "Hey, aren't we doing hours of foreplay, before sex?"
"We've done hours. Now it's time for sex." He stripped off the silk boxers and leaned in again.
            </description>
            <link>http://www.prospectagency.com/lake.html#susan-lyons-biography</link>
            <pubDate>Mon, 12 Nov 2007 04:55:23 GMT</pubDate>
            <guid>susan-lyons-excerpt</guid>
         </item>
         <item>
            <title>Read an excerpt from Janice Maynard's Improper Etiquette</title>
            <description>
A large presence appeared behind her right shoulder, heralded by a whiff of really fabulous aftershave. Pheromones, she told herself stubbornly. That's all.
She swallowed hard.
Duke brushed a strand of hair from her cheek with a careless gesture. "Nice to see you again, Caitlyn."
She bit her lip, gathering up her things and stuffing them into a briefcase. The room was emptying, and she had to grab somebody quickly and beg for information.
But Duke was effectively blocking her exit. He propped a hip on the conference table, bringing their eyes level. Her knees trembled. She told herself it was because she had skipped breakfast.
She took a deep breath. "You'll have to excuse me," she said, her voice cool. "I have to run."
"The mayor wants us to start today."
She looked directly at him for the first time. The mischief in his long-lashed eyes was not at all reassuring. "I'm aware of the time table," she said primly.
His large thigh, covered respectably in dark suit fabric, was practically touching her hip, so she inched away from the table.
He picked up her BlackBerry, and it was all she could do not to snatch it back. "I really am in a hurry," she said with as much politeness as she could muster.
He cocked his head. "Don't you think we should program some dates into this little electronic thingy of yours?" He poked at a button and the screen went blank.
"Give me that," she hissed. "And no. I'm all booked up in the date department. Thanks anyway."
Now the devilment spread across his face and his straight white teeth flashed in a grin of blinding proportions. "Well, Miss Caitlyn... you may be willing to offend the mayor, but I'm not. Turn this thing back on and let's get down to business."
Her mouth gaped. "What the hell are you talking about?"
He brushed her lips with a fingertip. "Tut. Tut. Such language from a lady. I know your mama wouldn't approve."
Temper threatened to blow the top of her head sky high. Her pale skin blotched with color when she got angry, and she knew from experience that it wasn't a good look on her. But God, he made her mad.
She pursed her lips. "My vocabulary is none of your concern. I'm out of here."
She grabbed up her things and scooted around him, but he was not so easily defeated. He caught hold of the end of the pretty braided raffia belt she wore and reeled her back in, tucking her firmly between his thighs. It would have been a highly inappropriate position had the room not been empty. Even so, she deemed it insulting.
She narrowed her eyes. "Swear to God, Duke Yancey. I'll knock the crap out of you with my purse if you don't let me go right this instant.
            </description>
            <link>http://www.prospectagency.com/lake.html#janice-maynard-biography</link>
            <pubDate>Wed, 31 Oct 2007 05:44:06 GMT</pubDate>
            <guid>janice-maynard-excerpt</guid>
         </item>
         <item>
            <title>Read an excerpt from Peter Reese's Into the Wissahickon</title>
            <description>
Dan was half-heartedly working through a sheet of math problems on Eben's living room floor. He had lost his pencil and was using one of Eben's pens and kept making mistakes that he had to scribble out. Dan's empty stomach gave off a groan that started low and then rose, like the slow creak to the door of a haunted house. He and Jessie had gotten home from school hours ago and they'd already finished the box of Frosted Flakes. They had ridden the sugar buzz and crashed again, and now they were even hungrier. Millie still hadn't called. It was almost seven o'clock at night.
"Where's Mommy?" Jessie asked. "Gorilla's sick of Frosted Flakes."
"Everyone's sick of Frosted Flakes." Dan sighed.
In his easy chair, Eben looked up from the sports section of the newspaper. "There's instant macaroni in the kitchen. I could make it."
"That's okay, Uncle Eben." Dan shook his head at Jessie. The offer was phony; their uncle never cooked. Dan blinked at the math sheet, his eyes fatigued by the poor lighting. He stood and flipped on the lamp switch. The bulb was grey, dead. The dishwasher didn't work either. It leaked brown water and dishes still had hard bits of food stuck to them. Things broke and no one fixed them. He was sick of it.
"Maybe she had car trouble again," Eben suggested. "That car looks like it's stuck together with spit and scotch tape."
Dan suddenly imagined the Gremlin skidding into an intersection and getting crushed by a garbage truck—a scene from an episode of the Incredible Hulk he had watched. Ever since his father had returned to Chicago, Dan imagined Millie dying in different ways: shot by a drug dealer, caught in a fire, diagnosed with brain cancer. He pictured himself comforting her as she lay in a hospital bed. He pictured her like the wounded soldiers in M*A*S*H—lots of tubes draining fluid from her arms, a nurse tapping air bubbles from a syringe, Millie murmuring but making no sense. An awful feeling ran through Dan when these images appeared, as if he was wishing for her to get hurt. But trying to banish the images from his head made them stick harder, like the tiny burrs that clung to his shoelaces after he walked through the Wissahickon.
"Maybe she's buying pizza," Jessie said.
"Or maybe she robbed a bank and had to take the long way home." Dan tried to picture Millie speeding away on a motorcycle, popping a wheelie, a bag of cash strapped to her back and a few hundred dollar bills fluttering out. But then, the bike crashed and exploded into flames as his imagination got the better of him.
"Dan, can you make me a peanut butter and jelly?" Jessie asked.
He knew they had tossed the empty jar of peanut butter yesterday. But, feeling sorry for his sister, Dan went to the kitchen and filled a pot with water and lit the stove. He had seen Millie make macaroni plenty of times. All you had to do was boil the noodles and dump cheese powder on top.
Twenty minutes later, they ate macaroni with cherry Kool-Aid and Wonder Bread toast in front of the news, watching a story about factories closing in Pittsburgh. The newslady interviewed a guy who got fired and was trying to sell his lawnmower, his vacuum cleaner and some old shirts in a yard sale. It made Dan think of the bills that Millie wasn't paying. The news anchor talked about the bad economy and inflation and it seemed like everyone everywhere was broke.
"What's inflation?" Jessie asked.
"It's the banks stealing money right out of your pocket," Eben said. "Dan, this macaroni's not half bad. But you could stir the cheese in better next time."
They were finished eating by the time Millie walked through the door. "How's my family doing?" she exclaimed, kissing Jessie on the head.
"Christ on a bike! We were about to call missing persons is how we're doing!" Eben barked. "It's past dark. Ever hear of the phone?"
"I'm sorry Eben. I stopped at Wade's club downtown and lost track of time. He was dying to show me the renovations. They redid the whole place, it's going to be amazing. I forgot that his father was into real estate, he has so many projects going on. Anyway, I might pick up some weekend shifts at the ticket office. He says you can make good money and you get to hear the music too. Well, let me tell you, I tried a payphone outside but the line was dead. Can someone explain why half the phones in Philly don't work? And when they do work, you don't have a quarter on you." She clapped her hands. "Let's get take-out. Aren't you kids starved? I'm about ready to eat my purse."
"We had macaroni," Jessie said, the cheese powder crusted all over her chin.
"Good for you, Jessie-girl." Millie picked up a piece of blackened toast and nibbled the edge. "Forget take-out then." She kicked off her shoes and put her feet on the table. Inside her pantyhose, her feet looked like flippers and had a locker-room odor. "Jessie, come here and give Mommy a foot rub. I love these new heels but they're hell on my arches."
"Well, you shouldn't come home late," Dan said. "It's bullshit."
"Easy there." Eben pursed his lips.
"Someone's testy tonight. What happened?" Millie belched and didn't cover her mouth in time. Her breath smelled like beer. "How was school?"
"I can't figure out my stupid math homework. The directions don't make any sense." Dan shoved his textbook under the couch, thinking about the kid Shawn who called him a faggot practically every day, how everything was so unfair.
"I never met a math problem I couldn't beat," she said. "I love math. We'll blow through the problems in no time. I got a full ride to college for math, you know."
"You told us that a million times." Dan carried the macaroni pot to the kitchen. Millie tried to tousle his hair as he passed, but he jerked his head away. She didn't seem to care that he had cursed or shoved his book—and so, he would do something worse. In the kitchen, the pot dropping into the porcelain sink from a two-foot height made a satisfying crash.
            </description>
            <link>http://www.prospectagency.com/lake.html#peter-reese-biography</link>
            <pubDate>Tue, 27 May 2008 02:47:16 GMT</pubDate>
            <guid>peter-reese-excerpt</guid>
         </item>
         <item>
            <title>Jonathan Roth - Read an excerpt from Jonathan Roth's Funny Things Happen to Dewey Farrder : From Chapter 7: Lucky Pencil</title>
            <description>
"Please take out a sharpened number two pencil."
Ugh. A sharpened number two pencil could only mean one thing.
"Today's test," Mr. Speling began, "is a test to test how well you do on tests."
I already knew how I would do: a C. I always got C's on tests. Maybe with a plus, maybe with a minus, but still a C. It could be worse, I suppose.
It was worse: the point of the only pencil I had left in my desk broke halfway through bubbling in my name. I tried to sharpen it, but it was already so short from taking so many tests that it got stuck in the pencil sharpener. I banged on the side of the sharpener to loosen it, but the tin cover fell off and all the pencil shavings sprinkled to the floor.
Mr. Speling shot me a dirty look, and I hurried back to my seat. Now what? Mr. Speling did not believe in loaning out materials. And I doubt he would believe that a squirrel had taken my other pencil.
I tried to get Robin's attention. "Psst." I pointed to the pencil in her hand, and then held out my empty palm.
When Mr. Speling wasn't looking, she reached into her backpack and brought out a hot pink pencil that said A-B-C-D-E along the side in gold letters. It was the kind of pencil that was probably popular with Little Sister and her little friends.
Robin handed it across the aisle.
"Can't I use your other one?" I whispered as I pointed to the yellow pencil in her hand.
She nodded to the pink pencil. "But that one's lucky," she whispered back.
I narrowed my eyes at her. "Humoring me again?"
"Maybe. But I'll tell you this: that pencil's only ever given me straight A's."
I thought for a moment. "Then why aren't you using it now?"
She held up the yellow one. "This one gives me straight A's, too."
The next day, Mr. Speling pulled me aside and handed me a test with a big A on the top. I took me a few moments to realize it was mine! My first Middle School A!
But Mr. Speling was not smiling. "Don't think I didn't see you talking to Miss Bailey during this exam. If I ever catch you cheating, you will both be penalized."
"But..."
"No buts! There are plenty of quizzes coming up, and a big unit test next week. I expect you to earn your scores this time. And don't think I won't know if you know something you don't."
Huh? But if he already knew how I was going to do, then why did I even need to bother?
Robin slid up next to me at lunch. "What were you talking to Mr. Speling about?"
"I got an A, but he didn't believe me."
"Did you cheat?"
"No! Of course not." I thought about the pencil. "Well, kind of. I used your lucky pencil."
She rolled her eyes. "Dewey, that pencil was only lucky for me because I studied."
"Yeah, but I didn't. So explain that."
"It's called the power of suggestion. You believe it, so it happens. That's all."
"Oh, yeah. Well what if I do it again?"
"Then Mr. Speling will probably have a heart attack."
"Good," I said under my breath.
"Dewey, that's horrible!"
"Well, so is he."
She popped a bubble. "What do you have against Mr. Speling, anyway?"
"Let's just say that until I met Vice Principal Jennifer, I thought Mr. Speling was the villain."
"Villain?" she said. "What villain?"
Oops. I hadn't really wanted to tell Robin about my destiny of becoming a hero and saving the school from some evil villain's plot until after I did it. But now that I'd brought it up, I figured I might as well spill the beans. She might laugh now, but I'd love to see her face when it finally happens.
            </description>
            <link>http://www.prospectagency.com/lake.html#jonathan-roth-biography</link>
            <pubDate>Wed, 25 Jul 2007 05:05:00 GMT</pubDate>
            <guid>jonathan-roth-excerpt</guid>
         </item>
         <item>
            <title>Regina Scott - Read an excerpt from Regina Scott's La Petite Four</title>
            <description>
Late the next morning, Emily was trying to determine how blood would pool around a decapitated body when the footman announced she had visitors. Priscilla, Daphne, and Ariadne were eager to hear what she'd learned, but she only agreed to tell them after they promised to pose for her battle scene.
She would have preferred to use the footmen. Unfortunately, the last time she'd asked, two had become so carried away that a Chinese vase had been damaged, and Warburton had asked her not to involve the staff again.
As it was, only Daphne could stand straight and valiant enough to do her any good as a model soldier. Ariadne made an excellent corpse. Priscilla insisted on playing a duchess watching from the edge of the battlefield. Emily pointed out that duchesses, or most dukes for that matter, seldom went to war, but Priscilla was adamant, so Emily let it go at that.
"So," she said as she studied the angle of Daphne's chin, "we know that Lord Robert Townsend has no money and likes the ladies all too well."
"Definitely not hero material," Ariadne said, raising her head into a patch of sunlight that turned her hair to gold.
Emily wanted to disagree, but she couldn't, so she merely ordered Ariadne to lie back down like a good corpse.
"It isn't enough," Priscilla said with a sigh. "A great many people find themselves with less money than they'd like. That doesn't make them criminals."
"But how is Lady Emily to know?" Ariadne asked.
"An excellent question," Emily replied. "Please forgive me, Ariadne, but I deviated from your plan. First thing this morning, I sent one of our footmen with a note asking if Lord Robert would come calling this afternoon. I thought perhaps I'd get him to take me to see the Parthenon Marbles."
Ariadne smiled. "An excellent strategy. Draw him out."
            </description>
            <link>http://www.prospectagency.com/lake.html#regina-scott-biography</link>
            <pubDate>Mon, 03 Dec 2007 15:59:38 GMT</pubDate>
            <guid>regina-scott-excerpt</guid>
         </item>
         <item>
            <title>Jon Skovron - Read an excerpt from Jon Skovron's Grope for Luna</title>
            <description>
I joined my first band when I was a junior in high school. We'd only been playing for a few months, but I felt like if we really worked hard, we could be famous. Not lame famous like U2 or Greenday, the kind of bands that played stadiums where no one under the age of thirty could afford tickets. Bands that tried to pretend that they were still in touch with their fans but really were so rich they couldn't remember what it was like to be a real person. No, we were going to be that cool kind of famous like the Pixies or Modest Mouse. Bands that didn't get much play on MTV except maybe late at night because they weren't commercial enough for the soulless marketing people to understand. That was the kind of band we were going to be.
We were called Tragedy of Reason. Or Tragedy of Wisdom. We hadn't decided yet. I liked "Reason" because it said how much it sucked to be the only thoughtful person in a crazy world. But our frontman, Joe, liked "Wisdom" because he said:
"It just sounds cooler!"
We rehearsed at the Parks and Rec building downtown. It was one of those large, stuffy rooms with no windows, low ceilings, brown mat carpet, and flickering florescent lights. It kind of smelled like somebody's basement. I had talked about the band name before rehearsal with Rick the bassist and TJ the drummer and we had all agreed that "Reason" made more sense. But they didn't say anything now because they were afraid to piss off Joe.
Okay, okay. I was afraid to piss Joe off too. He was one of those guys who started shaving in junior high. He was almost two feet taller than Rick and me. He was about the same height as TJ, but TJ was a lanky, stooped hipster boy and Joe was a massive, pierced, steel-toe boot wearing, leather and all the crazy spikes metal dude. He just looked plain scary. And he wasn't one of those "Oh, once you get to know him, he's such a softie" kind of guys. No, once you got to know him you realized that deep down, he was even scarier.
The problem was that, even though I was scared of Joe, I had a hard time keeping my mouth shut.
            </description>
            <link>http://www.prospectagency.com/lake.html#jon-skovron-biography</link>
            <pubDate>Wed, 25 Jul 2007 05:05:00 GMT</pubDate>
            <guid>jon-skovron-excerpt</guid>
         </item>
         <item>
            <title>Catherine Stine - excerpts from the novel GIRL WITH GOAT</title>
            <description>
Peeking out from her hair-shroud, Lily noted how Avaline's wide hips jutted from either side of her small ribcage when she bent over to whisper her next observation. "A sketch is a scaffold," said Avaline. "It's haiku. Open up to unused mediums. Use piss and tree sap instead of a pen."
Avaline certainly didn't talk about art like the teachers from high school. They talked about stuff like the color wheel and about how to shade the unlit sides of tables. In fact, Lily had no inkling of what paint with piss and tree sap meant. Did it mean tree sap was as good as linseed oil as a paint medium? Mixing pee into paint--wouldn't that stink up the canvas after a while? No one else was asking questions, so Lily thought she'd better just keep on taking notes.
As the teacher spoke, her fingers explored space the way an insect used its feelers--testing the air, flattening surfaces. And the nervous movements amplified the eccentricities of her meditations on vision and creating art--"Sift out the pebbles, create from beyond what you know, attack, bite, stab, yet simultaneously caress the medium." Lily couldn't keep from gawking at Avaline's black seaweed hair, her tongue scratching inside the space between her top teeth and the way she wore her static-cling skirt and peasant blouse as if clothes bored her silly.
"The task at hand is to find the secret artist in you," Avaline explained.
"But, um, haven't we already found that?" asked Lily, newly flustered, and wagging her knobby knees against the floor. "I've always known I wanted to be an artist."
Avaline smiled, gap-toothed. "Once you know, you must dig in further. To be a true artist, you need to find your core material. Your vision."
Nance spoke. "You're referring to, for example, Picasso's cubism and Warhol's use of consumer objects like Campbell's soup cans?"
"That's it, bravo!" said Avaline.
Lily frowned. "But how does an artist pick her own?" After asking the question, she lifted her sketchpad and sunk behind it.
"A path is an obsession. Process is the way in. You'll discover it."
Gradually, Lily put her sketchpad down and again pulled her hair over her ears, over her cheeks. Process, that sounded like processing food--pasteurizing it, getting rid of all the bacteria, pulverizing it, eliminating the seeds. She wanted to ask what process was, though she'd already asked two questions and didn't want to sound dumb.
            </description>
            <link>http://www.prospectagency.com/lake.html#catherine-stine-biography</link>
            <pubDate>Mon, 30 Jul 2007 10:58:33 GMT</pubDate>
            <guid>catherine-stine-excerpt</guid>
         </item>
         <item>
            <title>Catherine Stine - excerpts from the middle grade short story THE FASHION CONTEST</title>
            <description>
That's when I think of my sewing machine. It's the one girly activity I actually find cool. I even took lessons at the Y last year and made a shirt. After having to rip out the sleeves twice because of puckers I finally mastered the art of cutting teensy slits in the fabric to ease the sleeve around the sleeve holes. "Do you sew?" I ask her.
Candace looks doubtful. "A little. I made a doll pillowcase once."
I nod. She has no clue as to how much harder it would be to make an entire colonial dress. "Okay," I say, "Let's do fashion."
Candace almost smiles at me, but then the corners of her mouth turn down.
We go over to the bookshelf and pull out illustrated books on the 1700's.
I read some fashion terms out loud. "Echelle--a ladder-like decoration of braid, ribbons and bows across the neckline. Polonaise--a dress with a close-fitting waist and full skirt looped to form three panels and festoons." Sounds hard, even for me.
"What are festoons?" asks Candace.
"Who knows?" I hand her the book and she pores over it.
Next we look at Native American clothes. Cute fringe boots, feathers bursting out of a lady's headband. I love the fact that Indians knew how to get around in the forest and respected nature so much. Candace frowns. "Eww! It's all yucky animal skin and dirty feathers from the woods."
"Suits me fine," I say. "You do colonial dames and I'll do Native Americans."
"Deal!" her big brown eyes light up. I picture her brain already selecting prissy crinoline and satin from the fabric store. Candace narrows her eyes to slits. "But Indian outfits are easier than colonial dresses, right?"
"Maybe." My mood sinks. Then I realize even a simple Indian dress would baffle Candace. Either way I will out-sew her. "Okay, whatever. You do the Native American fashion." I drag my sneaker over the linoleum floor. It makes a nice annoying squeak.
Candace screws up her freckled nose. "I changed my mind again. I hate all that stinky leather. I'll stick with the colonial outfits."
"You'll do fine," I lie, thinking that she wouldn't have had to use real deer hide because there's plenty of fake leather around.
Candace bounces her chestnut-colored hair on her shoulders. "Yeah. I'll do great. I'll even challenge you to a history fashion walkoff."
"What's that?" I pull at my scruffy bangs and sneak a peek at Gavin. He's running a hand through his amazingly red hair as he laughs with his friend, Carlos.
"Pay attention." Candace jiggles my arm. "It's when we take turns walking down the runway," she explains. "It's a fashion competition." She giggles like crazy, probably picturing me tripping down the runway in floppy moccasins.
Modeling isn't my favorite idea, but she's bound to lose. "You're on, but no help from your friends, or mom."
            </description>
            <link>http://www.prospectagency.com/lake.html#catherine-stine-biography</link>
            <pubDate>Mon, 30 Jul 2007 23:18:02 GMT</pubDate>
            <guid>catherine-stine-excerpt-2</guid>
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         <item>
            <title>Tim Tharp - excerpts from the novel Knights of the Hill Country</title>
            <description>
"Hampton!" It was my buddy Blaine Keller barking at me. He strictly plays offense so he had his helmet off and his black hair was pasted to his forehead, the black slashes of war paint under his eyes starting to run some from the sweat. "Don't give your hand to the enemy like that. This is a battle, son. Don't ever give your hand to the enemy during a battle."
He meant business too. You could tell by the way the sparks flared up in his brown eyes. He wasn't faking. He was mad. I jogged back to the defensive huddle, feeling like I'd had the air half let out of me. Tell you what, Coach Huff and his assistants was some of the best coaches in Oklahoma-and I figured you might as well throw Texas in there too. Everything about them was polished and sharp as a new pair of scissors-their clothes, their hair, and their orders most of all. But they was always distant, up on another level looking down. Blaine was my best friend, my brother almost, and his words cut deeper than anyone else's.
He was right, I thought. That always was my shortcoming right there. Too much sympathy. It was like Blaine used to tell me, "Feeling sorry for folks never won no football games."
This wasn't any time to go weak neither. This was a time a guy needed insides about as tough and gnarled and hard as one of them old blackjack oaks on the hills outside of town. Me and the rest of the Kennisaw Knights had us eighteen yards and twenty-seven inches of battleground to defend. Three minutes and thirty-four seconds left in the game. First and ten. Kennisaw, 20 and the Wynette Titans, 17.
Every game this season, the pressure weighed down more and more. It was like carrying around a sack full of rocks, only every time you got to thinking you could lay it down, someone would throw another sack full of bigger rocks up on top of you. If we could keep it going, this would be Kennisaw's fifth undefeated season in a row. For thirty some years, no Knights team had strung together that many wins, and them old-time players from back then was still heroes around the hill country of eastern Oklahoma. More than just heroes, they was flat-out legends.
Now, people love their legends in the hill country. I don't just mean the ones that run up and down the green fields there in Biggins Stadium with its crown of golden lights neither. I'm talking about the old timey Wild West legends like the Doolins and the Daltons and Belle Starr, the queen of the outlaws. All them famous characters in the wax museum. And then you got your bull riders and bronc busters, your Five Civilized Tribes and your wildcat oil strikers. Prettyboy Floyd and Woody Guthrie, Will Rogers, Mickey Mantle and the original great football player, Jim Thorpe his self. Kennisaw's a dusty little old town, but even the smallest scrawny kid can feel big if he's got his self a legend to hold onto.
And believe you me, not a player on our team didn't think about what kind of legends we could end up being our own selves if we finished off this fifth straight season undefeated. Boy howdy. The Kennisaw Knights was the best damn football team in all the hill country, where Friday night high school football ranked next to God and country and, truth be known, sometimes come in first. It'd be one hell of a big sack of rocks to carry around if you let the Knights down.
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            <link>http://www.prospectagency.com/lake.html#tim-tharp-biography</link>
            <pubDate>Wed, 31 Oct 2007 10:52:32 GMT</pubDate>
            <guid>tim-tharp-excerpt</guid>
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         <item>
            <title>Tim Tharp - excerpts from the novel The Spectacular Now</title>
            <description>
Okay, yes, maybe I do drink a little bit more than a little bit too much, but don't go getting the idea I'm an alcoholic. It's not some big addiction. It's just a hobby, a good old-fashioned way to have fun. Once, I said that exact thing to this uptight church girl at school, Jennifer Jorgenson, and she goes, "I don't have to drink alcohol to have fun." So I'm like, "I don't have to ride a roller coaster to have fun either, but I do."
That's the number one problem with these anti-drug-and-alcohol programs they shoehorn you into starting in grade school. No one will admit any of that stuff is fun, so there goes all their credibility flying right out the window. Every kid in school-except the Jennifer Jorgensons of the world-recognizes the whole scam is faker than a televangelist's wife with a boob job.
I've taken those questionnaires on the internet that are supposed to tell you if you're an alcoholic: Do you ever have a drink first thing in the morning to get your day going? Do people annoy you when they criticize how much you drink? Do you ever drink alone? That kind of thing.
First, sure, I drink in the mornings sometimes but not because I need to. It's just a good change of pace. I'm celebrating a new day, and if you can't do that, then you might as well be laid out with your arms across your chest studying the pattern on your coffin lid. Second, who's not going to get annoyed when someone starts nitpicking at them? I mean, you could just have one beer and your mother smells it on your breath and she and your stupid stepfather start in with the good-cop/bad-cop interrogation routine, except there's no good cop. What, are you supposed to enjoy that?
And third, why is drinking alone so bad anyway? It's not like I'm some derelict drinking cheap aftershave alone behind the bus depot. Say you get grounded and you're watching TV or playing on the computer in your room-a couple of drinks can keep you from going stir crazy. Or maybe your friends all have curfews on weeknights, so you go home and have three or four more beers sitting on your windowsill with your iPod before going to bed. What's wrong with that?
It's all in the attitude behind your drinking, see. If you're like, Woe is me, my girlfriend left me and God hath forsaken me, and guzzling down a fifth of Old Granddad until your neck turns to rubber and you can't lift your chin off your chest, then, yes, I'd say you're an alcoholic. But that's not me. I'm not drinking to forget anything or to cover anything up or to run away. What do I have to run away from?
No, everything I do when I'm drinking is about creativity, broadening my horizons. It's actually educational. When I'm drinking, it's like I see another dimension to the world. I understand my friends on a deeper level. Music reaches into me and opens me up from the inside out. Words and ideas that I never knew I had come flying out of me like exotic parakeets. When I watch TV, I make up the dialogue and it's better than anything the writers dreamed up. I'm compassionate and funny. I swell up with God's beauty and sense of humor.
The truth is I am God's own drunk.
            </description>
            <link>http://www.prospectagency.com/lake.html#tim-tharp-biography</link>
            <pubDate>Wed, 31 Oct 2007 10:52:32 GMT</pubDate>
            <guid>tim-tharp-excerpt-2</guid>
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