Into bark and pore
the cold vapor
seeps
a foreign light
strange gravity
All turns
as if in a truce,
equilibrium
shifted
Caught in the
expanding
pause
you are forgotten—
-ikk
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(alphabetical order)
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M. Molly Backes grew up in Wisconsin, where she began writing about the world around her. At age four she penned her first story, "Raccoons Looking in a Mailbox," asking readers to grapple with the important question: What are those raccoons looking for? After graduating from Grinnell College, Molly moved to New Mexico, where she got 150 middle schoolers to write novels with her for NaNoWriMo. Her first novel Paige, Turning (out for submission) is about a girl whose life seems perfect: popular friends, a great boyfriend, and a strong bid at becoming Homecoming Queen... until an accident causes her to discover a talent she didn't know she had, and she's forced to choose between old loyalties and new passions. Molly lives in Chicago, writes for young adults, and stops to pet every dog she sees. Check out her blog at mollybackes.blogspot.com.
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Sudipta Bardhan-Quallen never thought she'd grow up to be a writer. She'd thought of being a doctor (but she's afraid of blood), a model (but she likes to eat), the president (but she had a dissolute youth)... so much for childhood dreams. Sudipta is the author of nine picture books and sixteen nonfiction books for children including Tightrope Poppy, the High-Wire Pig, illustrated by Sarah Dillard (Sterling, 2006) and The Mine-o-saur, illustrated by David Clark (Putnam, 2007). Sudipta often visits schools to share her stories, and teaches writing to children and adults. She lives in New Jersey with her husband, three children, and an imaginary pony named Penny. Find her on the web at www.sudipta.com.
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Elizabeth Batten-Carew is the author of a dozen romance stories in which she makes offerings of hope, success, and love to her readers. She is ecstatic about the sale of her most recent erotica novel, Twin Fantasies (St. Martin's Press, mid-2007), part of a three-book deal arranged by Emily Sylvan Kim within a week of joining the Prospect family! Elizabeth holds an affinity toward crystals, dragons, feathers, cats, pink hair, the occult, Manga artwork, and all that glitters. She earned a degree in Mathematics from the University of Waterloo, and spent 15 years as a software analyst before turning to her passions as a writer. Elizabeth lives with her husband and two teen-aged sons in Ontario, Canada. To learn more about Elizabeth, visit her websites at ElizabethBC.com and OpalCarew.com or contact her at ElizabethBatten-Carew@sympatico.ca.
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A.C.E. Bauer has been telling and writing stories since childhood. After a break while she worked as an attorney, writing legal briefs and telling stories about her clients, she has returned to fiction, writing children's books and short stories for all ages. No Castles Here (Random House, 2007), her first middle grade novel, was named "one of the strongest titles of the year" in a starred Kirkus review. Born and raised in Montreal, she spends most of the year in New England, and much of the summer on a lake in Quebec. To learn more about A.C.E. Bauer and her writing, visit her website at http://acebauer.com.
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Jake Bell declared his intention to be a writer when he was seven years old. His mother gave him one piece of advice: "Get a good day job." After fifteen years in the job market, Jake had been a sportscaster, a magician, a disc jockey, a bagel baker, professional wrestling referee, a college English instructor, and a minor league second baseman, and earned a BA and MBA--but he hadn't gotten much writing done. Finally, during a stint of unemployment, Jake got fed up with trying to find a good day job and wrote I Think My Teacher is a Superhero, his first middle grade novel. Jake lives in Phoenix, Arizona with his two kids from whom he regularly poaches ideas for picture book manuscripts.
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David Borofka is the award-winning author of more than forty published short stories in which he explores the relationship of spirituality with sexuality, religion with the deceptions of piety. Elizabeth Gaffney (NY Times Book Review) observes, "Moments of giddy redemption leaven the woes of Mr. Borofka's characters, but the real miracle is the deftness, subtlety and humor with which he makes their many bedeviled lives cohere in a single vision of well-earned affirmation." Winner of the Missouri Review's Editors' Prize and Carolina Quarterly's Charles B. Wood Award for Distinguished Writing, David's work has appeared in numerous literary journals. His latest novel, A Perfect Life, intertwines the story of the notorious Oneida Community with our contemporary desire for utopian and religious ideals, a reminder that in a country founded by religious radicals and lunatics, a repetition of our spiritual history is inevitable, generation after generation.
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Read an excerpt from David Borofka
The Secret Life of Engineers
My father was well into his eighties and dying before he told me certain things.
My mother, he told me, had had a nervous breakdown, sometime in 1966, about the
time I was due to start junior high. One day she was fine, and the next day she
woke up crying and cutting the bed sheets to ribbons with a pair of kitchen
shears. The crying he could ignore, my father said, but the shears... Well, you
never knew what those shears might be aimed at next. Let the Freudians among
you think what you will. Have a field day.
"You never knew, did you?" my father said.
"No," I said. I couldn't have been more glum. To be unaware when one's own
mother heads off to the loony bin? "Where was I?"
"Camp," he said. My confusion made him happy, of that I could tell. "Three
weeks in the beautiful Mojave Desert."
The brochure had promised archaeology, geology, and desert survival skills, but
the reality was tube tents, a desert wind that froze us each night, and high
school and college-age counselors who lectured us about Marx and Lenin and Mao,
then gave us hits off their joints. They turned a blind eye when we got into
their stash of Boone's Farm and Ripple. We learned slogans, "Hell, no. We won't
go," being among our favorites. I came home with tonsillitis, a hangover, and a
revolutionary attitude.
"I came home from Japan," my father said, "when the neighbors started to
complain. She was wandering the block in her nightgown. There were the bed
sheets. The shears. She had pulled the stuffing out of the mattress. Your
mother dropped you off at the YMCA parking lot, and then she went crackers. She
didn't like to be alone."
My mother's dislike of solitude was directly related to my father's absences.
Absences that, to my mind, were not that frequent or that long in duration, but
seemed to my mother to be interminable. "I didn't get married," I remember her
saying, "so your father would have a ride to the airport." While my father was
gone, my mother bitterly counted the hours. When I was younger, we often spent
the nights at my grandparents' house; she didn't sleep well since, without him
in our wood frame house, every creak and groan was evidence of burglars and
rapists, murderers and thieves. "One of these days," my mother often said,
"he's going to come home to the sight of our bloody, dismembered corpses, and
won't he feel bad then?" Frankly, I didn't think my father, who was guilty of
terminal cheerfulness, was capable of feeling bad about anything, including the
deaths of his family, either real or imaginary, whereas my mother was able to
feel terrible about everything, including those events confined entirely to her
own imagination, a psychic space that was diminished-if only slightly-when she
was no longer alone.
My father, on the other hand, never minded being by himself. On several
occasions during the three years that my mother was dying, we offered him our
spare bedroom, but he declined each time. "Don't think I
don't appreciate it," he told Ellen, "but the last thing you kids need is an
old fart hanging around, clogging up the sofa, and stinking up the bathrooms."
Ellen and I looked at each other across the kitchen table, connected by our
guilt since that was more or less the assessment we had each come to, the offer
being made out of assumed obligation more than any true desire. Ellen felt that
obligation more keenly, but she was also the more greatly relieved by my
father's refusal. She loved my father, she insisted, but he was stubborn and
insensitive and a pain in the ass, and if he were to live with us, she'd
probably want to kill him about fourteen times a day.
"Don't worry about me," my father said. "I've got ten good years yet, twenty if
I follow that dumb doctor's orders, and I don't intend to become a burden."
"All right, then," Ellen said. "I'm going to hold you to it. The moment you
need help in the bathroom is the moment I hand you the Jonestown Kool-Aid."
My father, whose cancer would kill him in six more months, said: "And don't
think I won't be grateful."
Copyright © 2007 by David Borofka
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Dan Brewer and Paul Paolilli are an uncle and nephew team who have collaborated on many creative projects over the years. Their first picture book, Silver Seeds (Viking Children's Books, 2001) received the 2002 International Reading Association's Award for Best Children's Book by first time authors. Dan and Paul's passion to teach and learn has drawn them both into education; Dan teaches high school English and Paul is a school psychologist. They credit their strong Italian tradition of family and food, nature and song for providing the foundation for their imaginations. Dan and Paul's latest picture book, Nightlights Near, Nightlights Far, takes young readers on a lyrical journey through a luminous nightscape, and is currently out on submission.
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Meagan Brothers writes in spiral notebooks. Prefers black ink. Likes mutts, rotary phones, licorice, and postcards. Plays guitar not so much like ringing a bell but like dropping an armload of pots and pans on a tin roof. Tends to vote Democrat. Was raised Southern Baptist. She currently lives in Asbury Park, New Jersey, where she is best known as the lead guitar player for the Steel Pier Sinners. But she was born in Spartanburg, South Carolina, where she is best known as the wacko with the Jersey plates. Her forthcoming young adult book Debbie Harry Sings in French (Henry Holt & Company) is expected in Spring 2008.
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Read excerpts from Meagan Brothers
Debbie Harry Sings in French
(Henry Holt & Company Spring '08)
I picked up the two parts of the chain, with a strange feeling in my chest.
"Looking for something?" I knew it. I turned around. There was Brian,
holding my bike up high, by the front tire. Donald stood close behind him.
"Oh, hi, Brian," I said, smooth as I could manage. "Where's the third stooge?"
"Shut up, faggot. You want this back?" I felt hot prickles beneath my skin.
"No, you can keep it." He blinked, not sure of a comeback. Finally, he
hoisted it up with both hands and threw it. Maria and I both ducked. The bike
flew over our heads and smashed down in the trees behind us.
"Brian!" Maria exclaimed. "Who do you think you are, the Incredible fucking
Hulk?"
"If I'd known you liked hanging around with queers," Brian's chest heaved, "I
never woulda wasted my time."
"But, Brian," she batted her eyes innocently. "Why do you think I hung around
with you?"
"I don't know what the hell they did to you up there," he gritted his teeth at
her. "But they sure didn't do you any favors."
"Why don't you and Donald go wrestle each other," she put her sunglasses back
on, looking annoyed. She turned away, but Brian wasn't backing down, and for a
second I thought he was going to hit her. A car horn blasted.
"Hey Brian! Come on, man, let's go!" We all looked up. It was Ben. He was
driving a huge, beat-up Bronco with a rebel flag in the back window. The radio
blasted Tupac. Ben kind of nodded at me. Acknowledging me, but nothing more.
I squinted at him. I was glad we didn't have any dissections coming up.
"Later, faggot," Brian swaggered off towards the behemoth with Donald trotting
closely behind him. The engine grunted and they took off. Maria gave them the
finger, but it was futile. We went into the trees to retrieve my bike.
"Man," she sighed as we pulled it from a thorn bush. "He really messed it up."
I stood the bike upright. The chain had come off, but it wasn't broken. The
back tire rim was bent, though - there was no way I could go anywhere on it now.
"I don't know how I'm gonna get it home."
"Worry about that later," Maria said. "Come on. We'll take mine." I limped
my bike over to the rack and tried to tie it up with the two broken chain
pieces.
"Both of us? Where am I gonna ride, on the handlebars?"
"No. On the back," she led me to the farthest rack - there, chained up like
an ordinary bike, was a blue Vespa motorscooter, like something out of Roman
Holiday. "Cool, innit?"
"I'm downright speechless," I finally said.
"But the beat goes on. Here," she popped open a compartment under the seat and
handed me a small, stylish black helmet. "Safety first." I strapped it on and
climbed on behind her. She revved the engine until it hummed.
"Hold on to me tight," she commanded. "Don't worry about being fresh." I
slipped my arms loosely around her waist, trying not to go too low or too high.
She was warm, and smelled a little like lavender and cigarette smoke. We took
off faster than I anticipated. Startled, I squeezed her, and she laughed.
"I told you to hold on!" She pulled out into traffic and we sped past the
doctor's offices and fast food restaurants, past the retirement home and the
hospital. Her hair whipped around my face as we buzzed along. It smelled like
almonds. There was a cool smell in the air, too; the smell of the woods, of
old trees.
Winter coming on, I guess.
Drinking People
The TV was on in the living room. Dave Letterman was debating with Paul
Schaffer over whether a rubber chicken would float or not. My mother sat on
the couch beneath the amber-colored lamp, going through an old shirt box full
of papers, her reading glasses on. I sat down next to her and saw that she had
a near-empty bottle of Jim Beam tucked into the crook of her arm.
"Geez, mom, have a drink."
She handed me the bottle.
"This is your father's. I've only had a couple sips." I felt the burn
in my throat and handed it back to her. "I figured it would be the last -" she
sighed and gazed at the bottle. "Oh, I don't know what I figured. I've been
turning this house upside down for the past two days looking for a will -"
"You think he might've left you the fine china?" I snorted. My mother gave me
a weary look.
"I thought he might've left some clue as to what he wanted done with his
remains. But instead all I've found is a bunch of old stories he never
finished and letters he never sent." She handed me a sheet of folded, yellowed
hotel stationary from the shirt box. "Here, look at this."
Septembersomething, 19seventysomething, San Fransomewhere
3:25 am
Suzy, Jesus,
You wanna accuse me of something, fine, but lemme remind you whose been taking
care of whose. Not to mention the kid. So you want some marlon brando
loverboy to show you a goodtime, fine, kick me to the ol' curb and have fun
doing it, but don't jangle me around like yr old highschool saddleshoe promdate
ho-dee-ho Goodtime Dan. I'm jangleproof, baby. Shake me, I don't rattle.
But I'm not angry with you. It's early and the sun will make the bay turn pink
soon and I'll think of your pink skin in the hot bath and the way your teeth
leave little halfmoon tracks in my shoulder when you bite down. I want to be
there with you but I don't know if you really want me there anymore. I don't
know if I should be there or here or anywhere and I get scared at night that I
might start tearing around like a tornado some which a way and just whip you up
in it, in this frenzy in my head that I'm afraid will bust outta me one day and
I can't be held accountable for what it might do. For what I might do. I'm
afraid of the day you look at me and don't recognize me. I don't know why I
can't sit still and be good, honey. I want to be with you and our kid in our
house and even though I told you on the first day we met, no promises, I want
to be that real standup guy of your dreams and I'll change change change, unzip
my head to whatever psychobabbler you want, I'll join the army, I'll teach
geometry, I'll stay right by your side and knit sweaters, you just say what it
is you want, and I'll give it to you.
By the way, you got the wrong idea about that girl from Del Rio, honey.
I'll be here with Mack until Friday. Working up a storm because these bastards
won't let me alone otherwise. On Saturday we go down to Hollywood for that
Sunday morning television show, but by the time you can see me on it I'll be
home to you, if you want me.
I miss you, Suzy. Goddam. Love,
Eddie
"Did I ever tell you about how we met?"
"Yeah, sure." He came into her father's bakery in Shreveport and stole her
away.
"Not the bakery story. The real story."
"I'm all ears."
Copyright © 2007 by Meagan Brothers
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Pamela Callow wrote her first novel at the age of eight on a dare from her brother. Despite the brevity (three-pages), she was hooked. Pamela studied English Literature, became a member of the Nova Scotia Bar, completed a Master's Degree in Public Administration, and worked as a strategy consultant before making writing a career. She recently completed her first mainstream suspense novel, No Man's Land (out for submission), in which a struggling lawyer's career-making case becomes deadly as she uncovers a scam that rocks the foundation of biomedical research and puts her in the path of a dementing killer. Pamela makes her home in Nova Scotia, along with her husband and two children.
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Read excerpts from Pamela Callow
No Man's Land
Springtime in Halifax was not known for its warmth or sunshine. Neither
was Barrett, Lyons and Goldstein.
Tess Lange allowed herself a one-minute break and gazed out her window on
BLG's associate floor. Drizzle specked the glass, obscuring the line of cars
snaking along Lower Water Street. Friday night rush hour was just beginning.
She turned back to her desk, forcing her eyes to focus on the separation
agreement spread out in front of her. The fourth this week. The thirty-seventh
since she joined BLG. She grimaced. The irony was not lost on her. She'd left
Marshall and Assoc. because Madelyn Marshall had a preponderance of family law
clients. Tess had assumed -- incorrectly -- that she'd seen the end of them
when she'd packed her boxes and left four months ago. Instead, she'd done more
separation agreements at BLG than she'd done during her eighteen month tenure
with Madelyn.
"Tess." A man's voice broke through her thoughts.
She glanced at the door in surprise. She hadn't heard anyone coming.
Her pulse jumped into her throat.
It was Randall Barrett. Himself.
She rose quickly, smoothing her skirt. "Hi, Randall." She gave him a
brilliant smile, grateful she wore the new suit she'd bought with her last pay
cheque. It had been a toss up between replacing her old articling clothes or
the old kitchen piping, but the lure of the Jackie-O style suit had been too
strong. When she heard the pipes groaning that night, she'd regretted her
extravagance, but couldn't bring herself to take the sleek cream suit back and
ask for a refund. She'd learned a long time ago that there were no returns in
life.
Now, eyeing Randall's exquisitely tailored grey suit, she was glad she'd
kept it. He, of all people, needed to see that Tess belonged in this office,
that her name had a place on BLG letterhead. Because it didn't, not yet. Not
for another two months.
And only if she cut it.
Carpe Diem
"You heard what I said, Alexandra." He threw me an exasperated look. "Why do you
have to be so stubborn?"
"Why are you never willing to listen to me?"
His mouth tightened.
Good. My jab had hit home. "I have a plan that will get you -- and me --
off the hook for treason."
"Indeed." He raised an eyebrow. "Alexandra, I have racked my brain for a
solution to this difficulty and have come up dry."
"So did I. But then it just dawned on me." I didn't dare tell him I was
seething with jealousy over his book of Shakespearean sonnets when I had this
revelation.
"Oh yes, you are an expert in the field of law." His biting tone cut me to
the quick. "I had forgotten."
"You're damned right I am an expert." I jabbed my finger at him angrily.
"I have almost as many years at the Bar as you!"
His jaw worked. "So you say."
The Erato was getting closer.
"You won't even listen to my plan?"
He sighed deeply. "Pray tell me what your plan involves."
Annoyed, I mimicked his tone. "It involves you marrying me."
A look of incredulity crossed Thomas's face. "Have you gone mad? How could
that possibly be of benefit to either of us?"
I almost burst out laughing at the ridiculousness of the situation. Me
proposing to a man. Man calling me crazy. Me pleading my case: "Thomas, very
simply it will benefit both of us because as husband and wife we cannot
incriminate one another."
Comprehension dawned in Thomas's eyes.
Copyright © 2007 by Pamela Callow
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Jason Chin grew up in New Hampshire, where he was given his first glimpse into the life of an illustrator by his friend and mentor, the acclaimed illustrator Trina Schart Hyman. He attended Syracuse University and, after graduating with a BFA in Illustration, moved to New York City. Jason illustrated The Day the World Exploded by Simon Winchester (HarperCollins), The Master Detective Handbook by Janice Eaton Kilby (Lark/Sterling), The Master Spy Handbook by Rain Newcombe (Lark/Sterling), and Chinese New Year by Judith Jango-Cohen (Carolrhoda Books). He also both wrote and illustrated Redwoods, which will be published by Roaring Brook in Spring 2009. Jason lives in Brooklyn, New York. Visit Jason online at www.jasonchin.net.
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Katey Coffing filled numerous notebooks with stories while in high school. (Rumor has it those early pages contained lovestruck tales about Duran Duran, but she keeps the evidence from prying eyes.) She put fiction aside to earn her doctorate, but her muse ranted until Katey left academia and became a life coach for women writers (Women-Ink.com). Her fantasy romances (penned as Cate Rowan, www.caterowan.com) won the 2003 Maggie and 2007 Sheila Awards and to date have been finalists in nineteen other contests, including the prestigious Golden Heart ®. Her latest novel is The Kiss of Fate, a Middle Easternesque "Dr. Quinn, Medicine Woman meets The King and I" (out for submission). She and her husband have four purring cats and a house near the beauty of Lake Tahoe. She credits her favorite authors--including Guy Gavriel Kay, J.R.R. Tolkien, Anne McCaffrey and Ursula K. LeGuin--for her love of fascinating characters and lush worlds.
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Jessica Davidson is a cynic who drinks by the credo of her despair.com Pessimist’s Coffee Mug, yet her rough-edged heroes and smart-mouthed heroines always manage to save the world and find true love by the end of the story. In Seduced By Shadows, the first in an urban fantasy romance series, immortal warrior lovers search for the missing pieces of their souls to find their way through the darkness…all the while facing demonic possession, Armageddon and the awkwardness of waking up next to someone who knows just how wicked you really are. Jessica lives in a 100-year-old farmhouse in Portland, Oregon with a musician who feeds her, a shelter dog who walks her, and two nocturnal geckos to keep her company through the wee writing hours. So maybe the glass is half full after all.
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Thushentha Devan (writing as T. S. Devan) has spent much of life on the move. Her favorite cities include Philadelphia, London, and Iowa City (where she went to University of Iowa College of Law). After leaving her life as a lawyer, Thushentha has opted for a more civilized existence taking her time eating dessert, enjoying warm weather, and writing for teens and tweens. Her first novel, Roaming Around the Country Without Grownups (out for submission), follows the adventures of fourteen year old twins Tiana and Stacey on their road trip across the northeastern US as they piece together clues to discover the location of a hidden reward.
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Read an excerpt from Thushentha Devan
Roaming Around the Country Without Grownups
Aunt Ella cut across two lanes of traffic without indicating and pulled into
the exit lane for some podunk place called Creztown. She got off the exit
ramp, drove into the parking lot of a McDonald's, and shut off the engine.
Then she went, all casual like it was no big deal, "This is where I get off,
girls," and she opened her door and stepped out.
And I was like, "Aunt Ella!"
But she was already halfway across the parking lot -- she didn't even grab her
purse from the backseat -- and she ran into the arms of this really tall dude.
He had to be at least six foot six.
"Who is that guy?" I said.
"I dunno but he probably weighs less than you, miss skinny mini," Stacey said.
"Jumpin' frogs legs, Stace! At a time like this you're thinking about how much
that dude weighs? If you keep obsessing over weight, I'm gonna check you into
the same rehab clinic Ashley put Mary-Kate in." Anyway, Stacey was right. The
dude was a total beanpole. He actually sort of looked like a ruler because he
was so flat -- it was like he'd been run over by a station wagon holding a
family of elephants. Even his nose and butt were flat.
And Aunt Ella, who's even shorter than us -- she claims she's five foot one but
I'd say five feet tops -- and more than a little chunky but she does wear her
weight well, was there in the McDonald's parking lot hugging Beanpole as if he
was her long lost one true love!
Then I looked at Stacey, still sitting in the front passenger seat, and she
turned back and looked at me and we so knew we were both thinking the exact
same thing -- 'What the heck?!' And it had nothing to do with any sort of
special twin connection and everything to do with our wacky aunt having totally
outdone herself this time. We nodded at each other, got out of the car, and
walked across the almost empty parking lot, over to Aunt Ella and Beanpole.
They were still hugging away like long lost loves who had been separated by a
world war or something. Stacey and I looked at each other like 'Now what?'
Then I cleared my throat and it was like a hypnotist had snapped his fingers or
something. Aunt Ella spun around to face us and she smiled this goofy smile --
it was so goofy, the moment Stacey saw it, she whispered, "God, Ti, Aunt Ella
looks like a little kid who just learned the word 'fart'."
Aunt Ella, oblivious to the fact that Stacey had propelled me to the verge of
giggles, said, "Girls, I'd like you to meet Harry Harnum, my one true love.
Harry, these are my nieces, Tiana and Stacey."
So Beanpole shook our hands with his left hand (I always thought that you
were supposed to shake hands with your right hand, but who knows). Anyway,
Aunt Ella said, "Girls, Harry is the star trapeze artist with Harnum and
Hailey's Circus. I'm going to spend the next eleven days on the road with
him."
Then Aunt Ella handed the Jetta key over to Stacey, smiled all proud like she'd
discovered the cure for cancer or something, and continued, "And you girls get
to hit the open road with each other. That's my birthday gift to you --
independence."
I went, "Um, Aunt Ella, we're really happy for you that you've found true love
with Beanp- um, I mean, Harry, but how exactly are we supposed to go on our
road trip without you? Neither Stacey nor I has a driver's license. Hello?
We just turned fourteen."
Aunt Ella waved her hand in the air dismissively and went, "License,
schmicense! A driver's license is just a piece of plastic with an ugly picture
on it." She winked at Stacey and said, "I know what an excellent driver you
are."
Then she blew us both a kiss and she and Beanpole rode off into the sunset
together. Well, okay, they walked over to a yellow and purple RV, and Beanpole
opened the door and helped Aunt Ella in.
I yelled, "Our parents will kill us. And you!"
She turned and yelled back, "They'll never know! I'll meet you back in
Ryerville on your way home. They'll think I've been with you the whole time.
I'll contact you through the DP to finalize the details!" Then the door closed
and we watched the RV pull out of the McDonald's parking lot.
Copyright © 2007 by Thushentha Devan
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Cori Doerrfeld has been creating art since she could first hold a pencil. After graduating with a degree in studio art from St. Olaf College in Northfield, Minnesota, she received her Post Baccalaureate from the Minneapolis College of Art and Design. With a strong passion for animation and children's literature, Cori has always tried to create art that tells a story. She began her career illustrating several books for Picture Window Books. Her first big project, however, was illustrating Welcome to Your World, Baby by Brooke Shields (HarperCollins, 2008). Cori currently lives in Minneapolis, Minnesota, with her husband and two mischievous kitties.
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Marissa Doyle graduated from Bryn Mawr College intending to be an archaeologist but somehow got distracted. Her current novel, Bewitching Season (Henry Holt & Company, 2007) is a YA novel set in 1837 London. Can a pair of twin witches save the Princess Victoria and England from a nefarious plot, survive the rigors of their first Season... and somehow find true love along the way? When not writing historical-set YAs and paranormal romance, she's sailing on Cape Cod, quilting, or collecting antique china. She lives in her native Massachusetts with her husband, son, twin daughters, an alarming number of research books, and a highly-opinionated, twelve pound lop-eared rabbit who shares her fondness for coffee and dark chocolate.
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Bonnie Edwards has worked at a variety of jobs but loves storytelling best. Raised in Toronto, Canada, she now lives on an island within view of the Coastal Mountains and the City of Vancouver. In 2006, she helped launch the Kensington Aphrodisia erotic romance line. With 3 releases in 2007 and Thigh High in Feb, 2008, her career has taken off. 2009 will bring a Harlequin Blaze, and another anthology from Aphrodisia, with more exciting books in the line-up. A long time member of Romance Writers of America, she can be reached at BonnieEdwards.com.
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Read an excerpt from Bonnie Edwards
Midnight Confessions II
(Kensington 2007)
Once inside, Belle floated up the stairs ahead of her, dressed in a peignoir
set that had once been green. Faye saw flashes of color in the folds as they
fluttered behind Belle's otherwise monochrome beige. Being outside in the grey
overcast light and with the faded grey wicker at her back, Faye hadn't noticed
Belle's lack of color.
It wasn't like her to be beige. Something must be wrong. "Are you upset at the
idea of my inviting Kim to the house?"
"No, of course not. I have a feeling Kim will be very entertaining."
"You will leave Kim alone," Faye said firmly to Belle, whose knowing smirk
irritated the hell out of Faye. "She's not to be jazzed up in any way. While
she's here, she'll be working, either helping get the new location ready or
searching out new inventory. She's not a plaything." If they messed with Kim,
Faye would lose her for sure.
Faye heard a deep sigh come from the wall beside her. She stopped and put her
hands on her hips, spun toward the long-suffering sound. "I'm not joking,
Lizzie. You leave her alone."
With Lizzie's penchant for practical jokes, Faye was afraid the spirits would
go too far and she'd lose a great employee. Not to mention a friend.
There must be a state law against terrorizing the help. Just because she had no
problem being surrounded by spirits didn't mean Kim would be okay with it.
"All right, I promise," agreed Lizzie from somewhere deep inside the wall. At
least it sounded like she was inside the wall. It might have been the ceiling.
Now, all she had to do was make Annie and Felicity promise to leave Kim alone
and she'd have an easier mind about Kim living here for the next few weeks.
"But the minute one of you pulls something on her, I lose my help and you'll be
sorry," she threatened, loud enough for all of them to hear. What good
threatening the dead did, she didn't know, but it was worth a shot.
The attic entrance was in the ceiling of a back hall corner.
Belle stood to the side while Faye tugged on an ancient rope. The stairs folded
down from the ceiling with the groans and squeaks that were to be expected from
hundred year old hinges. But, once the stairs got moving they opened easily
enough and Faye climbed up, surprised by the sturdy feel underfoot. "What," she
slanted a glance at Belle, "not coming with me?"
"I'll meet you there."
"You being afraid of heights seems a little weird. You can't exactly get hurt."
Belle blew her a raspberry.
As soon as Faye set foot on the attic floor Belle appeared seated on a trunk in
the corner. Dust flew everywhere, but for all the years of neglect, it smelled
clean enough. There were no obvious signs of animal or bird infestations.
No bats, either. She hated bats. They flew so erratically.
From the central staircase opening, the attic went off in every direction. From
here it was clear how large the house was because the entire floor area was
open. Dormer windows were evenly spaced around each wall, including the
additions that were built on later. There was an octagonal area that was
obviously over the conservatory.
Each dormer wall had hooks on the walls. Some even had tiny closets built in.
"What went on up here, Belle? These sort of look like cubbies or partitioned
areas."
"Staff slept up here if they didn't have homes to go to. Beds were tucked in
under the windows and there was a stove by the stairs for heat in the winter.
It wasn't unpleasant."
She took a closer look and saw curtain rings on poles stretched across the
openings to each dormer. "How large a staff did you need?"
Belle shrugged. "Four or five live ins. More in the summer to tend the garden.
We had a laundress, eventually some kitchen help, but mostly the cook's son,
Henry, at first."
Four or five live ins. Willa was right. She was going to need more help than
she thought. Even with modern equipment like a dishwasher, vacuum cleaner, and
a washer and dryer, Perdition House was too big for one person to keep up.
Especially one person with a business to run.
"Did Annie work in a cathouse in Butte when she ran away from home?" She might
have suggestions for efficient use of Faye's time.
"Yes, and it wasn't anything like working here. She'll tell you that!" Belle
chuckled and the green in her gown returned.
"You're feeling better."
"Why, yes." She cocked an eyebrow at Faye in query.
"You were beige. First time I've ever seen you so colorless. Is something
worrying you?"
"Nothing for you to be concerned about. I may have a renegade in the ranks,
that's all."
"Renegade?" She laughed, finding the idea funny in a weird way. "A renegade
ghost. Ooooo, scary."
Belle frowned. "Until now your experiences have been pleasant, haven't they?"
"You mean things could get nasty?" The thought of a ghost going postal suddenly
scared the bejeebers out of her.
Copyright © 2007 by Bonnie Edwards
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Amy Ester Fischer's journey began in the placid suburbs of New York and wound its way through the seedy dressing rooms of San Francisco strip clubs to the musty warehouses of the underground Williamsburg, Brooklyn art scene. She brought performance art to the Eastern Bloc in the early nineties and taught sound healing to a community of raw foodists in the Caribbean. While trying to peddle her massage therapy services on Craigslist, her first novel, American Courtesan, hit her on the head. A long term good girl gone bad and pro-sex feminist, Amy Ester still lives in Brooklyn. She is working on her second novel, Lexi and Gabriel, a BDSM love story.
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Evelyn Friedman grew up in New York City and environs. After college at Vassar, she earned an MA in art history from Columbia and an MBA in marketing from NYU. She has worked for many years as a fundraiser and strategic planner for non-profit organizations. Evelyn has also worked in art galleries and taught college art history. She recently completed Traitor (out for submission), a historical romance full of passion, Napoleonic spies, and art history. This is Evelyn's first book and it is sure to be a success. Writing under the penname Evelyn Mann, she happily lives in Manhattan with her daughter and two cats.
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Gretchen Géser has been drawing since before she can remember and has been an illustrator most of her adult life. She works in a variety of media but prefers watercolor and Adobe Illustrator. She grew up in the San Francisco Bay Area, graduated from Smith College, and has taken illustration courses at Pratt and the School of Visual Arts. She also has an M.F.A. in Writing for Children and Young Adults from Vermont College. Gretchen lives in upstate New York with her husband and her daughter, who is three and already can't remember when she began drawing. Visit Gretchen's website at gretchengeser.com.
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Chris Giarrusso began his cartooning career as a kid by whiting out comic strip word balloons in the daily newspaper and filling in his own dialogue. Soon he was whiting out the pictures as well. Eventually he realized he'd save a lot of time by starting out with blank paper. Chris created the world-famous Mini Marvels comic strips for Marvel Comics, featuring kid versions of Spider-Man, the Hulk, and the Fantastic Four. Teamed with writer Jake Bell, he illustrated his first picture book, Stinky Stella (due out for submission). Chris currently lives and draws in upstate New York. Check out more of his art and animation at ChrisGcomics.com.
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Deirdre Gill is an illustrator with a passion for children's literature. She graduated from Syracuse University in 2002, where she received a BFA in Illustration. Deirdre has worked with children's publishers such as Cricket Magazine and McGraw Hill, and is currently developing her own book, The Green Guide for Kids. Inspired from her lifelong passion for the environment, this hands-on book is a field guide for young people to navigate their way through the sometimes daunting environmental movement. Deirdre is the creator of greenguideforkids.blogspot.com, an online resource for kids, teachers and parents with readers from over 75 countries around the world. She lives in Brooklyn, New York. Visit her online at www.deirdregill.com.
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Dara Girard always loved storytelling. She grew up in the theater surrounded by actors, artists and musicians. She is the author of eight romance novels her most recent being Taming Mariella (Kimani Romance, 2008). She is currently working on her first women's fiction and her upcoming miniseries The Black Stockings Society about four women, one club and a secret that will make their fantasies come true. Her writing has been praised for its deft plot twists, witty dialogue and humor. She is also the author of a nonfiction book for writers, The Writer Behind the Words: Steps to Success in the Writing Life (Ilori Press 2007). Dara lives in Maryland. You can find out more on her website: DaraGirard.com.
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Leeza Hernandez started scribbling on walls many moons ago, so it came as no surprise to her mum and dad that she pursued a career in art and design. She grew up in the south of England, slowly made her way north and eventually hopped across the pond almost ten years ago. Leeza graduated with a degree in art, design and communication, but it was working as an art director that threw her into illustration. Her love for line, color and texture is evident in her award-winning work, which has appeared in The Chicago Tribune, American Illustration, and national magazines. Leeza also loves to write and has several manuscripts/dummies due out for submission. She resides in New Jersey with her husband, daughter and two cats Maisy and Mango. Visit Leeza's website at leezaworks.com.
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Aryn Kennedy has been a Witch since 1991. Just like the Witch she writes about in Witch Sex Is Better, she writes funny, sexy fiction with a heavy dusting of love magic. Under her pseudonym Selene Silverwind, she has written two visionary Wiccan romances: Once Upon a Beltane Eve and Field of Jonquils (Spilled Candy, 2001 and 2005). She is also the author of two non-fiction books: Magic for Lovers (Crossing Press/Ten Speed, 2004), a collection of spells for couples looking to improve their relationships; and The Everything Paganism Book (Adams Media, 2004), an overview of many Pagan religions and practices. She has given numerous workshops and presentations on love magic at bookstores and Pagan conventions, including an appearance at the Salem Witch Village in Massachusetts. Aryn can sometimes be found on radio and television programs performing a love spell. Learn more about Aryn at ArynKennedy.com and SeleneSilverwind.com.
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Read an excerpt from Aryn Kennedy
To Buzz or Not to Buzz
The next morning I awoke with a powerful sense that this day would finally be
prosperous. As I drove to work, the sun smiled on me from a clear sky. Well,
except for that one oddly penis-shaped cloud.
The Starbucks near the mini-mall tempted me to cross the street and order a
chai latte, but prosperity tea awaited me upstairs.
Samantha trotted up the stairs ahead of me. Women milled about on the landing,
preparing to go into the Curves to have their chocolate sins exercised from
their bodies. As I stuck my key in the lock, whispers surrounded me. I looked
up. Three of the women had descended on me. "Can I help you?"
They rushed inside. I grabbed the canister of endurance tea on my way to the
register. "How many weeks worth of the tea would you like?"
The women glanced at each other. A petite woman with red hair a few shades
lighter than my own auburn stepped forward. She leaned forward as if she were
about to reveal the secret to achieving non-stop orgasms by consuming minute
amounts of luxurious dark chocolate. "We're not here for the tea."
"I can make you any kind of candle you need," I said. "What's your goal?"
The plump brunette shook her head. "We need the thing you gave Tania."
"How do you know Tania?" I asked.
"I'm her lawyer," the slim brunette said. "She told me about it."
"And she told us." The redhead turned in a circle, surveying my wares. "Where
are they?"
"I don't have any."
"I told you we should have come earlier. She sold out already."
"She opened three minutes ago." The slim one set her briefcase on the counter.
"Can we special order them?"
I hadn't even drunk the prosperity tea yet. Was this a sign of the day to come?
"That was a special. Just for Tania. But there's a Hustler store further down
Sunset. They have a good selection vibrators."
"It won't be the same." The redhead shook her head, her bun bouncing. "You
charmed it. Tania said she had the best orgasm of her life. We'll pay double
for the rush. Triple. Whatever it takes to get them here pronto."
The other two women nodded their agreement.
I couldn't resist all of them combined. Besides, it couldn't hurt to get a few
more vibrators: for special cases related to saving my business. Just so long
as this rule breaking didn't become a habit. "Leave me your numbers. I'll call
you when they're ready, hopefully by tomorrow."
The redhead gripped my hand. "Thank you so much. You're saving my life."
I took their information and promised to call them as soon as possible.
At the sound of the door opening, the three women turned toward it. The
temperature in the room shot up as Dave strolled inside. They looked at me with
lust burning in their eyes. I waved to him.
The redhead leaned close to me. "Did your magic bring him?" she asked.
They stared at him as they skirted past. There was something about his toned
frame and movie star blue eyes that made women walk into poles. True to form,
one of the brunettes backed into the doorframe with an "oof."
I'd done the same thing when we met at the bookstore nine years ago. Some days
I wished I hadn't called off our fling a week later when I met Jack and
erroneously deemed him The One. Alas there was no use dwelling on the past. I'd
been twenty-three. I'd been stupid. I'd learned my lesson.
Dave grinned at the three red-cheeked ladies. Like teenagers being noticed by
the captain of the football team, they giggled as they hurried out of the store.
"What was that about?" he asked.
"Tania referred some friends."
"Great, new business. You need more of that."
"It's not exactly the kind of business I want." I crooked my finger at him to
come closer and lowered my voice. "They wanted charmed sex toys."
Copyright © 2007 by Aryn Kennedy
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Rose Kent worked as a Navy lieutenant and in public relations before returning to her favorite childhood pastime: writing books. An avid reader and runner, Rose is an admitted foodie who enjoys thickening the plot with mouthwatering dishes. Her first middle-grade novel, Kimchi and Calamari (Harper Collins, Spring 2007) was inspired by her adopted Korean superkids. She also takes inspiration from everyday heroes who put service ahead of profit. Currently at work on a baseball novel set in 1963, old-timers and little leaguers with opinions on knuckleballs and the '63 pennant race can email her at RosemarieKent@yahoo.com. Rose is thrilled to be with Prospect Agency and sends a "You Can Do It!" cheer out to all writers.
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Read an excerpt from Rose Kent
Kimchi & Calamari
(Harper Collins, 2007)
Alone at last with Mom. I could ask what she knew about the day I was born.
Seeing Yongsu and his parents got me wondering again. Plus, I still had to give
Nash something to search with, since my talk with Dad was a bust.
"Can I ask you a few questions, Mom?"
She gave me a curious look. "Ask away," she said. "Do you know my birth
parents' names, or where the adoption agency found me?" I folded the napkins in
triangles, concentrating so I wouldn't have to look at Mom.
Mom started to say something, then paused. "I planned on sharing this with you
at a special time. When you were, well, a bit older."
"Sharing what?" I asked.
"The information the adoption agency gave us. But it isn't much, Joseph."
"I really want to know whatever it is. Now," I pleaded.
She took a breath before she began. "They told us they found you in the south
of Pusan, by the waterfront, in a police station parking lot. An old woman was
walking back from the fish market in the afternoon when she heard crying. You
were lying in a basket, wrapped in a blanket."
This sounded like the Baby Moses story. Had I floated down a river in Pusan,
too?
"What was my birth mother's name?"
"They didn't give us names."
"What day did the old lady find me?"
"May seventh," Mom said, rubbing the top of my head with her fingertips.
"Well, since my birthday is May fifth, that meant my birth mother took care of
me for two days. Maybe she felt torn and didn't want to give me up," I said,
blurting out my thoughts.
Mom nodded. "Maybe," she said.
"Move, Frazer!" Sophie yelled from the family room. That old boxer loved to
park himself in inconvenient places, like on top of the puzzle.
"What's got you thinking about all this, honey?" Mom asked.
Should I tell Mom about the essay? I wanted to, but she was practically crying
already. I didn't want to make her feel she wasn't a good-enough mom. "I just
met this new kid at school today, and he's Korean. That's all."
She nodded and started scooping mashed potatoes from the Styrofoam container
onto the plates.
I kept imagining how it all happened in Pusan fourteen years ago. "Maybe it was
a baby- snatching conspiracy and the lady who found me was in on it," I said.
"She could have kidnapped me, realized she was going to get caught, and then
dropped me at the police station with that story so they wouldn't suspect
anything."
"I don't think so. The adoption agency told us that's just the way babies are
left in Korea. Birth mothers pick spots where they know their babies will be
safe and get discovered quickly."
Then Mom continued, as if trying to convince me she was right. "Unmarried
Korean women can't keep their babies, Joseph. Having a child before marriage is
taboo there, much worse than here. Mothers without husbands are outcasts.
Sometimes they can't even find jobs or homes. I think your birth mother knew
you both would have had a difficult life if she'd kept you."
"Why do Koreans make the mothers feel so bad? That's dumb," I said. "Besides,
maybe my birth mother was married to my birth father and they just didn't have
enough money to raise a kid. Or she could have gotten sick. Isn't that
possible, too?"
Copyright © 2007 by Rose Kent
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Machiyo Kodaira grew up in Tokyo, Japan. After studying the basics of design and fine art at Joshibi University and KIDI Parsons, she moved to New York City to study illustration at Parsons The New School for Design. Her illustrations have appeared in Bottom of the Ninth by Jaime Adoff (HarperCollins, 2009), Don't Know Much About® Martin Luther King, Jr. by Kenneth C. Davis (HarperCollins) and Hachiko Waits by Lesléa Newman (Henry Holt). Machiyo is also one of the founders and the design director of the New York-based fashion label Coskel University, where she incorporates her illustrations into clothing design. Visit her online at www.artandsoulproject.com.
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Sarah Laing wanted to be a opera singer when she grew up. She was afraid of vampires and spontaneous combustion. Now she writes literary fiction on a hilltop of Wellington, New Zealand. Her manuscript, Flea Circus, charts Jeremy's flight from entomology into vaudeville, and then towards the flame of an art school trapeze girl. Sarah has had short fiction and poetry published in leading journals and anthologies in New Zealand, and work dramatized for New Zealand National Radio. She no longer needs to sleep with the hall light on. Visit Sarah at poppyshock.com.
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Shannon Landrum enjoys the sound of water lapping at the hull of a boat, the smell of theme park asphalt baking in the sun, and living vicariously through her rockstar teenagers. Her first novel, The Dust Prophet (out for submission), tells the story of Esta, the daughter of poor dirt farmers in a Depression-era Kansas town. After a devastating tornado, Esta is miraculously found unharmed and perched on the roof of a church. When she speaks of a heavenly experience and is found to be pregnant, the town must decide if she is God's handmaiden, a witch, or a clever con-artist. Shannon is also the author of two collections of children's poems, The Book of Brats and Dark Verses for the Truly Twisted. She lives in Florida with her husband, two children, and three Jack Russell terriers.
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Read an excerpt from Shannon Landrum
The Dust Prophet
"Did Doctor Taylor tell you about your condition?"
"Yes." She stood unnaturally still for a child. Stock still. And she had a way
of turning her head slightly while still keeping her eyes on a person. "I'm
going to have a baby."
"Yes. Well, we need to talk about that, don't we?" He found himself blinking to
compensate for how seldom she did. "Esta, I need to know who did this to you. I
know it might be frightening to talk about. But it needs to be said out loud.
The person who did this to you did a bad thing. Who's been at you, child?"
She cocked her head a few degrees but remained silent.
"Esta, we need to know the father of your child."
"It's between me and God," she said.
"Alright. We can discuss it later if you'd rather. But I'd like to talk with
you about what you told Doctor Taylor. About Jenny."
"What about it?" she replied.
"No one knows better than I how it feels to want to give comfort to those who
are suffering and yet be unable to. I have spent much of my adult life and all
of the last two months striving to grant the tiniest measure of comfort in the
face of terrible loss. But it is wrong to create falsities, even with the
purest of motives -- to ease another's pain."
"I wouldn't do that," she said.
"I must assume that you were school friends with Jenny Taylor and that she told
you about the dress and how she wanted to wear her hair."
"I've only ever had one friend, Reverend," Esta said, "Miss Margaret Goode."
Thomas heard the door to the office opening and conversation between Doctor
Taylor and a woman.
Thomas continued, "Then you must have heard this information from Margaret
Goode. Perhaps you've stored this memory without even being aware where it came
from."
"I know where it came from," she said.
"Where?" Thomas heard himself say. Doctor Taylor pulled back the curtain and
entered the room with Priscilla in tow. The woman was in wretched shape with
large dark circles around the eyes and a frantic expression.
"The Lord showed it to me when he lifted me up," Esta said.
"What is this?" Priscilla said.
"I told you, Prissy," Doc said. "This is the girl who was found on the church.
She says she saw Jenny with God in heaven."
"Doctor Taylor, I'm not sure it's wise to involve Priscilla with this," Thomas
interjected. "Let me talk with the girl alone."
"My Jenny?" Priscilla said choking on sobs.
"Yes," Esta said.
"Esta, stop it this instant," Brother Thomas pleaded. "You can't toy with
people this way! Tell the doctor that you made this up, or that it was just a
dream!"
"Tell her about the dress and her hair," Doc Taylor said. "She was wearing the
green dress you made and her hair was in plaits, Priscilla. It was our Jenny!
In Heaven with God!"
"But how could you know this? How could you see into Heaven?" Priscilla pressed.
"Exactly," Brother Thomas added.
Esta had been waiting patiently to be asked. She looked at Mrs. Taylor and
Doctor Taylor only as she relayed the story of what happened to her on that day.
"It was blowing hard outside. Miss Merrell was poised to hit me with the ruler
for not paying attention in class when my cousin, Doris, looked out the window
and yelled, 'It's a twister!' Then the roof peeled away."
Esta closed her eyes now and a slight smile turned up the corners of her mouth.
"And I heard a loud voice say 'Talitha Kumi'." And then I was pulled upward and
all the sounds of crashing and screaming and blowing fell silent. And I saw a
shining light, bright like the sun, only gentler. It drew me into itself.
That's when I saw Jenny seated at the feet of the father. Then the voice said,
'be blessed,' and touched me here," Esta said pointing to the middle of her
chest.
Esta opened her eyes again. "And then I could hear the wind again and I was
moving backward, but I didn't want to. And then it went dark. When I woke up, I
was on the church roof."
"Praise God! Praise God!" Priscilla exclaimed. Doctor Taylor embraced his wife
as she bawled unabashedly.
"It's a miracle!" he said.
"My girl! My baby! I was so worried, what with her not bein' baptized!"
Priscilla tore herself from her husband and ran to Esta pulling the child tight
to her chest. "Thank you! Bless you, child."
Brother Thomas pulled Esta from the woman's grasp, "Doctor Taylor, I would ask
you to kindly take your wife back upstairs. She's had a tremendous shock and
needs to lie down." He shot Esta an angry glance as he ushered the two parents
toward the office door.
Upon returning, he ripped the curtain back and glared angrily at her. "What
are you up to, Esta Macphee, with this cockamamie story? You and I both know
that nothing like that happened. You were simply lucky to be thrown clear of
the awful death the other children shared and now you would mock the very God
who mercifully spared your pitiful life! Surely, he will not allow you to go
unpunished for this sin!"
"I thought you didn't believe in luck Pastor," Esta retorted.
"You will speak of this matter no more, young lady. You've got yourself in a
delicate condition which requires your full attention. And I won't have you
distracting good God-fearing people from their rightfully- earned grieving. Now
let's get you home. We've got some news to share with your parents." He took
her by the arm and marched her swiftly to the car.
The ride back to the Macphee farm felt far different than the ride to the
doctor's office. Brother Thomas sensed that there had been a shifting of sorts
-- the same feeling he often had when he presided over a wedding or a funeral.
It was the uncertainty of stepping from one age, to the next. That the
occasion of the telling of Esta's outlandish story, to an even greater extent
than the school tragedy itself, marked a new focus in his work on earth, and a
new season for the community of Harmony.
As he parked the car in the Macphee yard and shut off the ignition, Esta spoke.
"Brother Thomas, remember when I came to you and asked you about my spiritual
gift?"
He gripped the steering wheel and stared straight ahead trying to will the
child to be shocked into silence once more. Forever more. But it didn't work.
"I think I know now what mine is."
Copyright © 2007 by Shannon Landrum
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Suzann Ledbetter spends her days writing or researching, but takes time-outs to read and sleep. Humor, mystery and history (fiction and biographical) are Suzann's specialties, in print and as a speaker. She was a contributing editor to Family Circle magazine for a decade and is the author of 11 contemporary an historical mysteries, six historical novels, two humorous essay collections, and an award-winning biography of Nellie Cashman--also included in Shady Ladies (2006 Tor/Forge). Suzann and her husband, Dave Ellingsworth, share their Missouri Ozarks home with three retired racing greyhounds, two morbidly obese cats, thousands of books and not nearly enough bookshelves. Contact Suzann via her website SuzannLedbetter.com.
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Corbin Lewars recently completed her memoir, Two Births, which explores the ups, downs, and unexpected changes that occurred while pregnant. She writes about quitting her job in order to become self-employed, becoming estranged from family members and friends, and making the decision to deliver her baby at home rather than in a hospital. Often challenged and questioned, Corbin defends creating the life, pregnancy, and birth experience that was right for her. Corbin lives in Seattle, WA with her husband and two children. They continue to live and play in the same house where both children were born.
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Linda Lombardi was an embittered academic who quit her university job to become a zookeeper. Now a part-time breeder of poison dart frogs, Linda writes a biweekly column about pets and animals for the Associated Press. Her novel, The Sloth's Eye (out for submission), is the syncretic union of her experience with animals and belief that every book she's ever read would have been better with a dead body in it. She lives in Silver Spring, Maryland with two pugs, a husband, and two cats, in order from most to least difficult care and feeding requirements.
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Read an excerpt from Linda Lombardi
The Sloth's Eye
The Halloween decorations were gone from the hallways but the pumpkins were
still in the exhibits, most of them now looking gnawed-on to various degrees.
Which just made them even better as far as I was concerned. I was admiring my
jack o'lantern with the fennec fox ears when I heard footsteps, brisk confident
steps that covered the ground like the whole planet was her private domain.
"I love your Halloween pumpkins," Allison said. What was she doing here at this
hour? Who knew. She could be anywhere at any time. "I adore the Halloween
event. What could be better than combining trick or treating and a trip to the
zoo?"
"Yeah," I nodded. I had to agree. Candy and animals, did it get any better than
that?
"I thought when I came through last night that you are all doing such a nice
job, but this building needs some attention. You haven't had anything new in a
long time, and the collection is a lot less diverse than when I was the curator
here. Maybe you could give me some advice about what we could do."
Somehow, under the magic touch of her attention, I didn't think of how strange
it was for the zoo director to be asking advice from someone as lowly as me.
"A wombat," I said dreamily, almost to myself. I knew we'd never get a wombat.
I'd had this conversation with Larry, our curator, dozens of times. A wombat
was a lousy exhibit. It would sleep all day and take up a lot of space with
nothing interesting for visitors to see. A big snoozing mound of fur that might
as well be a stuffed animal. Not worth the time or effort or real estate.
But I loved wombats. I longed for a wombat the way other women longed for
babies, as far as I could tell about how other women felt. I had clearly
somehow imprinted on the wrong species as a newborn. I had no idea what it felt
like to want a baby. But, oh, how I imagined a sweet little round wombat pup in
my arms.
"A wombat!" Allison exclaimed, jolting me out of my marsupial reverie. "What a
splendid idea. We don't have anything quite like that. Since we don't have an
Australia building anymore, Small Mammals would be just the place."
I was startled. I looked at her dumbly for a minute, waiting for her to laugh
at her joke. But she didn't.
"Um, " I said, "But... won't it sleep all day?"
"I'm sure we can figure out a way to deal with that. We can make sure its den
is visible to the public. That way you'll always see something even if it's
asleep. After all, that's better than an animal that's hiding all day when it's
awake, isn't it?"
"Where will we put it? Where can we get one?" I surreptitiously pinched myself.
Surely this was some kind of crazed zookeeper fantasy dream, where the director
swoops down and gives you the animal you've always longed to work with. I was
sure that in a minute I'd wake up and go into work and tell people about it,
and I'd find out that everyone had had this dream, like we'd all had the dreams
of our animals getting out, or those moments where we woke up in the middle of
the night, positive we'd left some shift door in the wrong position.
"Details, details," Allison said. I seemed to be awfully good at dreaming that
particular cadence she had, that tone that assured you that everything would
always go her way. "Don't worry, that's why I have a staff. If we want a wombat
we'll have a wombat. Do you know which species you want?"
I'd never thought about it. The idea had never gotten anywhere near close
enough to reality for it to matter. "I don't know. Can I go and do some
research?"
"Of course. Just email me when you decide. I'll come by again soon and we can
talk about what renovations we need to do to house it."
I gazed off toward the pygmy marmoset exhibit in a daze. The plant wall needed
watering and tons of that mossy stuff had fallen down and needed to be
replaced. I decided that I wasn't dreaming after all, because in my dream Small
Mammal House, the plant wall in that exhibit waters and re-mosses itself,
instead of me having to crawl in there and hit my head and get soaking wet and
covered in moss.
Copyright © 2007 by Linda Lombardi
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M.T. Love (aka "Love") has worked construction, flown planes, and starred in an infomercial. She now toils away in an office cubicle, but she wants you to know she's only doing it to keep a roof over her head until she gets "discovered." When not working, she's out clubbing with friends or playing drums in the San Francisco alternative rock cover band "Red Light Go" (myspace.com/redlightgosf). Love's YA novel A DJ Called Tomorrow (out on submission) is the story of Marley Johnnywas Diego-Dylan, a 16-year-old boy with a heartbreaking home life, volatile school life, and full-time job busing tables to cover rent. His passion for DJing is the only thing that keeps him going. When Marley is handpicked to battle in an elite DJ competition his whole world changes overnight. To win, he'll have to mix the bitter and the sweet of everything he's ever experienced into one incredible set.
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Susan Lyons writes contemporary romance that's intense, passionate, heartwarming and fun. Her Awesome Foursome series (Kensington Aphrodisia) features four twenty-something friends who laugh, cry, bond - and find their own very sexy romances. Award winning author of Champagne Rules and Hot in Here, her popular books have been sold in foreign markets including Germany, the Netherlands and Portugal. With an eclectic background spanning psychology, law, and computers, Susan is finally at home writing women's fiction. Susan lives in Vancouver and enjoys photography, growing orchids, and being around those she loves. Learn more at www.susanlyons.ca.
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Read an excerpt from Susan Lyons
Touch Me
(Kensington 2007)
"You have a right to be mad," Adonis told her. "Your mom cheated you of things
a kid should have."
Ann's body stiffened. "I'm being unfair. She tried her best."
"Maybe so." Touch firm but gentle, he stroked her chest, breasts, rib cage,
trying to give her the warmth her mother seemed incapable of. "Doesn't mean you
don't have a right to be pissed. Children should be nourished with hugs and
kisses, praise and love."
"I wish . . ." She sighed and her muscles loosened. "I was going to say, I wish
I had a different mother. But that's not true, I love her. I just wish she'd
been different."
"Is it too late? Could she change?"
Her eyes were squeezed shut. "I w-wish. But she's set in her ways." She
sniffed. "D-damn, I never cry. Tears are a waste of time."
But they were welling from under her closed lids. "That last voice sounded like
your mom's," he said gently.
She sniffed again. "It was." A tear spilled over.
"I don't agree with her." He caught the tear with his finger and brought it to
his mouth. "Tears help you let pain out, where it doesn't have so much power."
She opened tear-glazed eyes. "That your mom talking?"
"Yeah." Definitely not his macho dad.
As tears tracked down her temples into her hair, he said, "Your mom may not be
super affectionate, but you know she wanted you. She could have had an abortion
or given you up for adoption, but she kept you. Loved you."
"I guess. But it puts so much pressure on me, being the only person she's got.
Pressure to live up to her expectations."
She was still meeting his gaze and he looked deeply into her damp hazel eyes,
feeling the hurt inside her. He took her by the shoulders. "Those expectations
are hers; she owns them. She's the one who let rejection hurt her so badly she
never lets anyone into her life. Focuses on her career, rather than risking her
heart. You can be braver, you don't have be the same as her. Figure out what
you want, and tell her."
"What if she says I'm wrong?" The tears were sliding freely now.
"Then tell her again." He lay down beside her and gathered her into his arms,
felt the dampness of her cheek against his shoulder. For a while, he just
hugged her close as she cried.
Then, when the tears eased, he said, "Tell her you love her, you respect her,
but you have to find your own path. And if she loves you, she should try to
understand and respect you back."
She sniffed. "Is that what you told your father?"
Crap. "Uh, maybe not quite like that. More like, I didn't want to be a tile
layer so I wasn't going to do it."
"Which he'd take as rejection of everything he's worked for."
"Shit." He'd never thought of it that way, but once she'd said it, it was
obvious. "I guess you're right."
"I know if I'd ever said I didn't want to be a lawyer, that's how Mother would
have felt. But it was okay, she made it so fascinating, there was never
anything else I wanted anyhow."
"And now?"
She eased away, wiped her cheeks with the backs of her hands, sat up. "I want
friends, too. A life away from the office, maybe one day a family of my own." A
little smile. "Perhaps a puppy or kitten."
He sat up too, caught and held her gaze. "Those are all good things. Normal
things. She's the one with the warped life, Ann. That's sad, and you don't have
to be like her."
She nodded slowly. "Adonis, what's the thing you've most wanted from your dad?"
He squeezed his eyes shut against the pain, then opened them again so she could
see into his heart. "For him to say he's proud of me, like he does with my
sisters."
"Me too, with Mother. Every time she compliments me, there's some damn
qualification. Or, what I've done is good but she wants more from me." She
sighed. "And I've been trying. Now you, you deliberately chose another path.
Neither way has worked out for us."
"Nope."
"So, what's the worst case scenario?" she said thoughtfully. "They never say
those magic words. But we know they love us. Right?"
"Yeah." He managed a small smile. "That's not such a bad thing to settle for."
"Some wise man once told me, conflict's inherent in the parent-child
relationship."
His own words. The smile grew. "That was pretty smart. So, I should tell Dad I
respect him and what he's accomplished, but his way isn't mine, and I wish he'd
respect me too."
"And if he's still on your case, remember conflict's normal, and he loves you."
God, she was beautiful, even all swollen and tear-stained. Beautiful and smart
and brave. And sexy. Opening up the way they'd both done was even better than
sexual foreplay. He felt so close to her, and he wanted to get closer. Until
they merged. Body and soul.
It was so cool she'd finally got into the gazing into each other's eyes thing.
He could see the moment she read his thoughts. The green flecks in her eyes
sparkled. Her lips curved. "You haven't finished my massage."
"Later." He leaned in for a kiss.
She avoided his mouth, her smile widening. "Hey, aren't we doing hours of
foreplay, before sex?"
"We've done hours. Now it's time for sex." He stripped off the silk boxers and
leaned in again.
Copyright © 2007 by Susan Lyons
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Evie Manieri has been fascinated by all kinds of fantasy wr | | | |